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Category: FILM COVERAGE

The film brings lifestyle an escape, a moment to show, and see the world. Here you will find the best in film reviews, film festivals including Cannes Film Festival and La Jolla Fashion Film Festival. This brings the best entertainment for your lifestyle.

Once Upon a Time in Hollywood ~ Manson Family

Once Upon a Time in Hollywood ~ Manson Family

Quentin Tarantino’s latest screenplay, Once Upon a Time in Hollywood, is his new project, with a few hiccups in the beginning. This is about the Manson Family murders.

 Brad Pitt and Leonardo DiCaprio 
 Quentin Tarantino's Once Upon A Time in Hollywood
Brad Pitt and Leonardo DiCaprio star in Columbia Pictures “Once Upon a Time in Hollywood”

Screenplay Once Upon a Time in Hollywood

This screenplay looks at the Mason family cult and commune formed in California in the late 1960s. The notorious killing of Sharon Tate and four others August 9, 1969. The film release is the 50-year anniversary of the murders. They were involved in several other murders, thefts, and other crimes. The film’s budget $100,000,000.

IMBD synopsis states, “A faded TV actor and his stunt double embark on an odyssey to make a name for themselves in the film industry during the Helter Skelter reign of terror in 1969 Los Angeles.”

Actors Once Upon a Time in Hollywood

This film has top list actors including:

  • Sharon Tate actor Margot Robbie 
  • Rick Dalton actor Leonardo DiCaprio (took a pay cut to work with Tarantino)
  • Cliff Booth actor Brad Pitt (scheduling conflict prevented him from playing Rick Dalton)
  • Squeaky Fromme actor Dakota Fanning 
  • Marvin Shwarz actor Al Pacino 
  • George Spahn actor Burt Reynolds
  • Steve McQueen actor Damian Lewis
  • Kurt Russell 

Margot Robbie Once Upon a Time in Hollywood

 Margot Robbie Quentin Tarantino's Once Upon A Time in Hollywood
Margot Robbie as Sharon Tate in Quentin Tarantino’s Once Upon A Time in Hollywood. 

Margot Robbie brings her talent to portray this living character as the character in this role. She took on Tony Harding in I, Tonya and brilliantly performed that role even the skating routines. The first look photos, she is Sharon Tate. You forget that this is Robbie. She presents the 1960s style in boots, mini-skirt, and black turtleneck. The blowout of the long blond hair the final touch, she looks more like Sharon Tate than herself. 

Filming Once Upon a Time in Hollywood

Tarantino’s film meets a few hiccups during production. The film was set to have distribution with The Weinstein Company. This posed an issue once the charges against Harvey Weinstein. Tarantino looked for a new distributor for the film to have several offers.

The casting meets with struggles with Brad Pitt having scheduling conflicts for the original role he was too play. Pitt is co-starring with Leonardo DiCaprio for the first time will co-star together. Al Pacino’s role, Marvin Shwarz, was specifically written for him to play. This is the first collaboration between Pacino and DiCaprio.

This film with top actors, director. and writer is sure to entertain. 

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Right Side of History BlacKkKlansman

Right Side of History BlacKkKlansman

BlacKkKlansman is a film that is on the right side of history. The film debuted at Cannes De Festival to a standing ovation. This Spike Lee film brings the present day events to their historical ties with this film of Ron Stallworth’s real-life story.

BlacKkKlansman Spike Lee Cannes Red Carpet 4Chion Style
BlacKkKlansman Spike Lee Film

Film Synopsis:

Director Spike Lee presents BlacKkKlansman, an incendiary film inspired by the life of Ron Stallworth, the first police officer African-American to have infiltrated the Ku Klux Klan. Against all odds, the agent Stallworth (John David Washington) and his partner (Adam Driver) Flip Zimmerman will infiltrate the highest echelons of the Klan, to stop him from taking control of the city.

Actors at Festival De Cannes:

  • Spike Lee ~ Director/Writer
  • Adam Driver ~ Flip Zimmerman
  • Topher Grace ~ David Duke
  • Laura Harrier ~ Patrice
  • John David Washington ~ Ron Stallworth

BlacKkKlansman Current History

Spike Lee discusses how surreal the tragedy of Heather Higher being murdered at Charlottesville Virginia protests brings coda to this film. Her death took place after filming completion. Lee put it in the film to see what happened. When he saw what happened he knew this was the final scene.

He states, “I had to do something first. I was given Susan Bro’s, Higher’s mother, phone number. I was not going to put that murder scene in that film without her blessing. Mrs. Bro said, ‘Spike I give you permission to put that in.'” They collected footage and photos from those at the time of Higher’s murder to get the best coverage of this horrific unnecessary murder. Higher should be alive today. The President of the United States could not stand up to the world to say we are about love, not about hate, we are better than murdering a young woman.

Lee goes on to speak about the building of the United States of America (USA) from the genocide of Native Americans and slavery. This is the fabric of the USA. This scene had to go in to show that our leaders are giving us a direction that is not moral. This is a worldwide problem. It is not a black, brown, and white world. We all live on this planet. We have to stand up and stop being silent.

BlacKkKlansman Spike Lee Cannes Red Carpet 4Chion Style b
BlacKkKlansman Spike Lee Cannes Red Carpet

BlacKkKlansman Screenplay

Jordan Peele, the film’s producer, pitched the story of Ron Stallworth. Lee thought it was a comedy skit. When he realized it was a true story he brought Kevin Willmott in to assist with writing the screenplay. There was one thing that Lee understood in making the film it had to tie to the current climate. The situations today did not just pop up but they have been around for decades.

The focus of the story was to tell this period piece while connecting to present day. The movie needed to end in the present day. Lee says, “I did not have the crystal ball, even though my friends call me negrodamus. The film’s ending was not written it was true life. Lee continues with Spike Lee joiners you got to flow, cannot be rigid, got to be hip, on it. There is no way in the world he could not make that the end of the film. The screenplay is based on the book by Stallworth, Black Klansman. 

Chaz Ebert asks about the language in the film and if it is necessary to use the tone and word choice.  Lee answers “words are hateful. Words can be hateful and I do not think I was elaborating on how the Klan not only hates blacks they hate Jews, they are number two on the list. They do not speak lovely terms and those words are harmful. The way we had them speaking in the film is the way they speak every day. It was my decision to hear those words. I wanted the hate to be verbalized.”

BlacKkKlansman Cast and Crew

Lee states, “This is very simple we tell the story.  That is what we do. I do not do this shit alone. I am a general manager of a sport’s team. Put the best players out there. Filmmaking is a collaborating effort.  It is some hard shit. Filmmaking is hard shit. You got to go to work. Learn your craft and do your research.” You want to put the best people behind the camera to make the best film you can.

Barry Alexander Brown, a film editor,  is able to create the final scene from footage taken from people’s phone. He was able to prove the needless death of Higher and that she should be alive now.

Chayse Irvin, the cinematographer, is amazing. He shot this on film, not digital. We really wanted to have the look of seventies films split screens. I forgot shooting with film takes a lot of time because it has been so long since working with film.

John David Washington (son of Denzel Washington) plays Ron Stallworth in the movie.  Washington was able to learn from Stallworth about what he was going through he is like the Jackie Robinson of police. It took a lot to get the position in the police department.  While Stallworth was protecting and servicing Colorado Springs, he prevented terrorist violence. There were no violent acts during this time on the police force. One black man, that is very well supported.

He wanted to inhabit his spirit. Setting up the environment was a great collaborating environment. Your abilities become unlimited in this environment. He felt very blessed to have this experience glad to be a part of this experience.

Adam Drive, his character Flip Zimmerman, we had a week or two to talk about it before. The research helps but you have to let that go when you get on set. Pay attention to what is being said by you and cast. Playing music on my iPod assisted. Spike creates a very that best idea wins very familial. Best ideas win, a very egoless set. Everyone had a life outside the filming and we got home at a decent hour. Spike sets the tone that it is easy that you feel free to fail.

Topher Grace, his character is David Duke, KKK Grand Wizard put in a lot of time for his part.  He read My Awaking by David Duke,  watched The Donahue Show when the KKK was on the show, and listened to his radio show. Grace recalls being asked to play in a Lee film, “This is one of the happiest times in my life followed by one of the worst times when I realized the character I was going portray.” He felt the responsibility to get it right, but no did not feel the responsibility to Duke.

Grace capture this character through the script, it did a really good job of creating the KKK and David as a leader. Lee is a great coach. There was a day I had to something that was really evil. Spike said, “Try this a Nazi salute and said white power. I am rarely affected by filming but I was in a very bad space.” Lee assisted him by explaining that this is a message that you agree with even though you don’t agree with the character you are playing.

Laura Harrier, her character Patrice, she tried to inhabit the spirit and time period. Meeting her real-life character helped her embrace the character’s life, relationships, and spirit. She watched Black Panther footage and listened to the music. Having a great team and taking Spike’s guidance.

BlacKkKlansman Spike Lee Cannes Red Carpet 4Chion Style b
BlacKkKlansman Spike Lee Cannes Image Credit Antonin Thuillier

BlacKkKlansman Message

Lee talks about the message as being believing in hope. Many of his films are hope like Do the Right thing is a hopeful film. He is not blind or deaf, he thinks you can be hopeful but be aware. This film will be seen around the world. This is a global problem. I do hope that other people from other countries will see that this is happening where they live. Lee says, “I have hope that this film shakes people from their slumber. This is a very important film. People are having a hard time coping. In our hearts, we know what is right and wrong. When you have wrong staring you dead in your face and mums the word, you are supporting the opposing causes.”orting the opposing causes.”

The film will release on the one-year anniversary of Charlottesville demonstration August 10, 2018.

This is truly an incredible film one that is gut wrenching, funny, honest, and real. It brings this issues full circle and to the present day. @officialspikelee @jordanpeele thank you

See the trailer here

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Festival De Cannes® connections here:

Facebook https://www.facebook.com/festivaldecannes/

Twitter https://twitter.com/Festival_Cannes

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Connect with BlacKkKlansman here:

Facebook https://www.facebook.com/blackkklansman/

Twitter https://twitter.com/BlacKkKlansman

Instagram https://www.instagram.com/blackkklansman/

Photo Credit Cannes Film Festival

Anne-Christine Poujoulat—AFP/Getty Images

Festival de Cannes® 2018 ~ Palme d’or Jury

Festival de Cannes® 2018 ~ Palme d’or Jury

Festival De Cannes® will present the Palme d’or film award, the top award at Cannes. This year marks the 71st year this film festival continues to influence film worldwide. There are 22 films official selected for Palme d’or film award.

The Jury of the 71st Festival de Cannes® 4chion Lifestyle
The Jury of the 71st Festival de Cannes®

Jury Palme D’Or Festival De Cannes®

Palme d’or film award jury is presided over by Cate BlanchettAustralian actress, and producer. She fields lots of questions about gender and the festival during the opening press conference. Festival De Cannes® chose only 3 women directors to present this year. She says, “Three female directors in the competition earned their spots.” She goes on to say, “Being attractive does not preclude being intelligent.”  Five women and four men from seven nationalities and four continents join her:

  • Chang Chen (Chinese Actor)
    • Chang Chen made his film debut in the late Edward Yang’s A Brighter Summer Day. He rose to fame in the Ang Lee’s Crouching Tiger, Hidden Dragon in 2000.
  • Ava DuVernay (American writer, director, producer)
    • Nominated for the Academy Award and Golden Globe and winner of the BAFTA and EMMY, Ava DuVernay is a writer, director, producer and film distributor known for the historical drama Selma(2014)
  • Robert Guédiguian (French director, writer, producer)
    • The work of Robert Guédiguian, an activist filmmaker, celebrates the city of Marseille where he grew up. Acclaimed by critics when he first started directing in the 80s, he met public success with Marius and Jeannette, which won the Prix Louis-Delluc in 1997.
  • Khadja Nin (Burundian songwriter, composer, singer)
    • Youngest of a family of eight Khadja Nin studied music at an early age, before leaving Africa to go to Europe. Her albums are a mix of occidental pop music, African and afro-cuban rhythms.
  • Léa Seydoux (French actress)
    • Rising to fame with Christophe Honoré’s The Beautiful Personin 2008, Léa Seydoux is an award-winning actress, notably the Palme d’or for Abdelatif Kechiche’s Blue is the Warmest Colour in 2013.
  • Kristen Stewart (American actress)
    • Kristen Stewart has been playing roles since an early age and received widespread recognition in 2008 for The TwilightSaga film series (2008–12).
  • Denis Villeneuve (Canadian director, writer)
    • Internationally renowned and recently two-time Academy Award winner for Blade Runner 2049, Denis Villeneuve made his debut at the National Film Board of Canada in the early 90’s.
  • Andrey Zvyagintsev (Russian director, writer)
    • Multi-award winning filmmaker Andreï Zvyagintsev has already become one of the most respected directors in Russian and international cinema. He directed his first feature film in 2003 The Return, which won him a Golden Lion at the Venice Film Festival.

Palme d’or In Competition Festival De Cannes®

This year’s official Festival De Cannes® selection for the Palme d’or is highly anticipated and exceptional films. Films come from all over the world representing top directing and actors. Jury members bring a strong influence from their careers, strong backgrounds, and talent that is an asset to this choice of the best film.

This year’s Festival De Cannes® official choice for the Palme d’or is highly anticipated and exceptional films. These nominated films come from all over the world representing top directing and actors include:

  • Asghar FARHADI TODOS LO SABEN (EVERYBODY KNOWS)
  • Stéphane BRIZÉ AT WAR
  • Nuri Bilge CEYLAN AHLAT AGACI (THE WILD PEAR TREE)
  • Sergey DVORTSEVOY AYKA
  • Matteo GARRONE DOGMAN
  • Jean-Luc GODARD LE LIVRE D’IMAGE (THE IMAGE BOOK)
  • Yann GONZALEZ KNIFE + HEART
  • Ryusuke HAMAGUCHI  NETEMO SAMETEMO (ASAKO I & II) (ASAKO I & II)
  • Christophe HONORÉ SORRY ANGEL
  • Eva HUSSON GIRLS OF THE SUN
  • JIA Zhang-Ke JIANG HU ER NV (ASH IS PUREST WHITE)
  • KORE-EDA Hirokazu MANBIKI KAZOKU (SHOPLIFTERS)
  • Nadine LABAKI CAPERNAUM
  • LEE Chang-Dong BURNING
  • Spike LEE BLACKKKLANSMAN 
  • David Robert MITCHELL UNDER THE SILVER LAKE
  • Jafar PANAHI SE ROKH (THREE FACES)
  • Pawel PAWLIKOWSKI ZIMNA WOJNA (COLD WAR)
  • Alice ROHRWACHER LAZZARO FELICE (HAPPY AS LAZZARO)
  • Kirill SEREBRENNIKOV LETO
  • A.B. SHAWKY YOMEDDINE 1st film
  • Terry GILLIAM THE MAN WHO KILLED DON QUIXOTE

You can see the screening guide here. This award is announced May 19 at the film festival closing ceremony.

This 71st year will continue to evolve film worldwide. Stay tuned here for coverage of events from fashion, red carpet, actresses/actors, and films.

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#MeToo and #TimesUp Conversation ~ Ebertfest

#MeToo and #TimesUp Conversation ~ Ebertfest

The stars hit the Golden Globes unified in black bringing the #timesup and #metoo conversation to the red carpet. The award season began with the hashtags #TimesUp connecting to the #MeToo conversation already started. Twitter exploded with the hashtag #MeToo when Alyssa Milano stated Oct 15, 2017, “If you’ve been sexually harassed or assaulted write ‘me too’ as a reply to this tweet.”  The Oscar’s night concluded the award season with #TimesUp and #MeToo social media posts, red carpet accessories, and comments in speeches. The conversation continues with strong voices, changing voices, and awareness at Ebertfest 2018.

Hollywood Foreign Press Association #metoo 4Chion Lifestyle Golden Globes Timberlake
Jessica Biel and Justin Timberlake at the 75th Annual Golden Globes Awards

Details About Me Too and Time’s Up Movements

Tarana Burke founded “the me too” movement to help survivors of sexual violence, particularly young women of color from low wealth communities, find pathways to healing. Powered by women, TIME’S UP addresses the systemic inequality and injustice in the workplace that has kept underrepresented groups from reaching their full potential.

Panel Discussion #MeToo and #TimesUp

  • Carrie Rickey moderator
    • Dilm critic and reporter
  • Ruth Harnisch
    • Producer and film investor
  • Robert Pulcini 
    • Director and writer
  • Greg Nava 
    • Writer
  • Julie Dash 
    • Writer and director
  • Sherri Springer Berman 
    • Writer and director
  • Kogonada  
    • Writer and director
  • Jeff Dowd
    • Writer and distributor
  • Darrien Gibson
    • National Director of SAGindie
  • Andrew Miano 
    • producer

Panel Discussion #MeToo and #TimesUp

Harnish brings up the Teen Vogue article where interviewed 54 women at the festival this year and they all stated they had been sexually harassed or assaulted during the festival. Papisova states in her article that in the 10 hours she was in attendance she was groped 22 times. The stories described many predatory behaviors.  Harnish states that men must be a positive force in this change as well.

Berman discusses production a film, Nanny Diaries with Harvey Weinstein. She discusses that she was one of the few female directors for production. She states that it was a horrific experience. She is tortured by the thoughts of what may have happened to her crew and actors on set. She really now questions and tries to remember has she missed something.  The #TimesUp legal fund is for all sexual assault and harassed victims. This fund in a few months has raised over 26 million dollars.

Dowd brings up the fact that this is a revolutionary change. Women and many human beings will lead the way to perpetuate this systemic change. We need to empower with the stories that are being told. This needs to change on many levels. He believes that this is our time and that the time is up.

Jeff Dowd Ebertfest 4chion lifestyle #metoo
Jeff Dowd Ebertfest

Lesley Wexler, a Law professor at the University of Illinois, asks, “I am wondering about the thoughts you have for sort of accountability and reckoning with the past as you look forward and make all these efforts to be more inclusive the future?” Nava replies, “It is something we are grappling with at the Academy it is very very difficult issue it is a very very difficult issue to deal with.”

Conversations Around #MeToo and #TimesUp

Jennifer Robbennolt, Colleen Murphy, and Lesley Wexler argue that “reformers of the burgeoning #MeToo movement ought to heed the core principles of restorative and transitional justice and take into account the needs of both victims and offenders, as well as the larger community.”

Diane Warren, a collaborator on Til It Happens to You states, “this song became something more than ever expected. Listening to the stories of these victims compelled me to write the song. I want this song to be an inspiration to all going through a difficult time.” at The Creative Arts Emmys. This song has carried this message to many sexual assault victims and many more.

Ashley Judd, Annabella Sciorra, and Salma Hayek spoke to the effects ushered in by the producer’s downfall. “The changes we’re witnessing are driven by the powerful sound of new voices, of different voices, of our voices joining together in a mighty chorus that is finally saying time’s up,” Judd added.

Statistics

90% of female concertgoers have been harassed at a music event. (Chicago Tribune)

The statistics, “Every 98 seconds, an American (this is not just a woman issue) is sexually assaulted. And every 8 minutes, that victim is a child. Meanwhile, only 6 out of every 1,000 perpetrators will end up in prison.” (RANN)

Roger Ebert created Roger Ebert’s Overlooked Film Festival or better known as Ebertfest. Ebert was a TV and Chicago Sun-Times film critic. This festival is held at the Virginia Theatre in Champaign IL. This place is near Ebert’s hometown, Urbana. This year celebrates 20 years of Ebertfest. Chaz Ebert, Ebert’s wife keeps his traditions returning each year. The film festival brings back some great films and panels.

We bring the best in for your lifestyle. Stay tuned for more great entertainment and film coverage here.

@4ChionLifestyle

Resources:

National Sexual Assault Line 1-800-656-Hope

notalone.gov

seeactstop.org

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Connect with Ebertfest Here:

Facebook https://www.facebook.com/Ebertfest/

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Connect with #MeToo here:

Facebook https://www.facebook.com/MeTooMVMT/

Twitter https://twitter.com/metoomvmt

Connect with #TimesUp here:

Twitter https://twitter.com/timesupnw

Instagram http://instagram.com/timesupnow

Sponsors include:

College of Media at the University of Illinois

Roger & Chaz Ebert

Shatterglass Studios

SURFACE 51
Hollywood Foreign Press Association

Champaign County Alliance for Inclusion, & Respect

L.A. Gourmet Catering

Illini Radio Group

President & Mrs. Timothy L. Killeen

Busey

Jeanene & Rick Stephens

The News-Gazette

Illinois Public MediaUniversity of Illinois Press

African American Film Critics Association

Fandor

Brenda Robinson, Greenberg Glusker Fields Claman & Machtinger LLP

Chipman Design Architecture

SAGIndie

Unacceptance to Self-Acceptance ~ Belle A Film

Unacceptance to Self-Acceptance ~ Belle A Film

Belle is a film about growing from un-acceptance to self-acceptance. Dido Elizabeth Belle, actress Gugu Mbatha-Raw, is a true story of a high society young African-American mixed English during the 18th century. Belle finds herself in high society but has a hard time finding herself anywhere.

She struggles to balance things every day. She is the daughter of a slave and Sir John Lindsay, a navy ship captain. Her grandparents become her caregiver, Mansfield Her status as aristocrats provides her a lifestyle that is of class and comfort. This story looks at gender, race, and class.

Belle finds herself eating alone when guests arrive she is not allowed to dine with the staff at this time either. This reality is her status is not high enough to eat with guests but too high to eat with the servants. She is kept hidden from society, during a time that many young women traditionally come out to society for formal courtship.

Her cousin, Elizabeth groomed and readied for her coming out, even though she has no dowry to offer. Belle being an heiress to her father’s fortune after his untimely death provides her dowry, but does not have social standing for courtship. The custom at this time is a black woman is not seen in white circles.

She finds herself struggling with the fact that she is not fully accepted because of her skin color. The complexity love from her family but the burden of being unaccepted becomes a climactic moment where she is clawing at her skin and face in anguish. A strong demonstration of what is going on inside Belle as she struggles with being the daughter of a slave and a navy captain.

This struggle is one that many faces in life. They take on the social standards for beauty and how we each place expectations on ourselves wanting acceptance by others.  The film demonstrates Belle bringing her to self-acceptance. Self-acceptance is a great health Releasing that she is more than her skin color. She embraces the love of her life leaving behind her status in high society.The director, Amma Asante,  brings the story from the inside of Belle to the outside makes it authentic and real.

The director addresses the realization of the time period issues of race, class, and gender. She uses layers to present her story. The complexity being African-American woman who is learning gain acceptance of herself in her place in life. This layering brings this very relatable struggle for many even today.  Belle’s journey of self-acceptance brings the audience full circle from unacceptance to self-acceptance.

The story based on a painting of Elizabeth and Belle that hung in the Kenwood house for decades. The painting shows Belle slightly elevated in the painting to her white cousin. They are touching in this painting. It demonstrating that Elizabeth is accepting of Belle and her new self-acceptance in life. Belle finds empowerment, freedom, and happiness with her self-acceptance. The film brings love, change, and equality to the forefront while showing the development of self-assurance.

Amma Asante Chaz Ebert Ebertfest 4chion lifestyle Film
Amma Asante Belle Director at Ebertfest

Roger Ebert created Roger Ebert’s Overlooked Film Festival or better known as Ebertfest. Ebert was a TV and Chicago Sun-Times film critic. This festival is held at the Virginia Theatre in Champaign IL. This place is near Ebert’s hometown, Urbana. This year celebrates 20 years of Ebertfest. Chaz Ebert, Ebert’s wife keeps his traditions returning each year. The film festival brings back some great films and panels.

We bring the best in for your lifestyle. Stay tuned for more great entertainment and film coverage here.

This film has 14 wins and 27 nominations on the film festival circuit.

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Sponsors include:

College of Media at the University of Illinois

Roger & Chaz Ebert

Shatterglass Studios

SURFACE 51
Hollywood Foreign Press Association

Champaign County Alliance for Inclusion, & Respect

L.A. Gourmet Catering

Illini Radio Group

Busey

The News-Gazette

Illinois Public MediaUniversity of Illinois Press

African-American Film Critics Association

Fandor

Chipman Design Architecture

SAGIndie

Ebertfest ~ Film Festival

Ebertfest ~ Film Festival

Roger Ebert created Roger Ebert’s Overlooked Film Festival or better known as Ebertfest. Ebert was a TV and Chicago Sun-Times film critic. This festival is held at the Virginia Theatre in Champaign IL. This location is near Ebert’s hometown, Urbana. This year celebrates 20 years of Ebertfest. The film festival is set to bring back some great films and panels.

The panel discussions and film festival are organized by College of Media at the University of Illinois and his wife Chaz Ebert. This year they are bringing a festival that brings the concept of films that need to be films that give these films and their filmmakers a well-deserved second look. This five-day festival, April 18-22, will bring together film writers, directors, actors, directors, and film lovers.

The panel discussions include:

THURSDAY, APRIL 19, 2018

  • 9:00 am – 10:00 am
    THE CRITICS’ PANEL SPONSORED BY ROTTEN TOMATOES
    CRITICAL MASS: THE FUTURE OF FILM CRITICISM
    Moderated by Claudia Puig
    Hyatt Place Hotel, Lower Level

FRIDAY, APRIL 20, 2018

  • 9:00 am – 10:00 am
    THE ALLIANCE FOR INCLUSION AND RESPECT PANEL
    CHALLENGING STIGMA THROUGH THE ARTS

    Moderated by Eric Pierson
    Hyatt Place Hotel, Lower Level

FRIDAY, APRIL 20, 2018

  • 10:15 am – 11:15 am
    Leveling THE PLAYING FIELD: HOLLYWOOD IN THE TIME OF #MeToo and #TimesUp
    Moderated by Carrie Rickey
    Hyatt Place Hotel, Lower Level

SATURDAY, APRIL 21, 2018

  • 9:00 am – 10:00 am
    FREE LECTURE:
    THE LUMIÈRE BROTHERS AND THE BIRTH OF CINEMA
    Led by Dr. Richard Neupert
    Hyatt Place Hotel, Lower Level

This is just for starters for the week. There are six women directors included in appearances for the festival. These women are Ava DuVernay (13th), Amma Asante (Belle), Julie Dash (Daughters of the Dust), Shari Springer (American Splendor),  Catherine Bainbridge (Rumble: The Indians Who Rocked The World), and Martha Coolidge (Rambling Rose).  Other guests include:

  • Director Andy Davis TheThe Fugitive 
  • Professor Miguel Alcubierre Intersteller
  • Gregory Nava Selena
  • Ruth Ann Harnisch Columbus
  • Kogonada Columbus
  • Andrew Miano Columbus
  • Bill Harnisch Columbus
  • Alloy Orchestra A Page of Madness
  • Shari Springer Berman American Splendor
  • Robert Pulcini American Splendor
  • Jeff Dowd The Big Labowski

The film screening schedule for the 20th Anniversary is:

4/18/2018

  • The Fugitive 7 PM

4/19/2018 

  • Intersteller 12 PM
  • Selena 4 PM
  • Belle 8:30 PM

4/20/2018

  • Columbus 12 PM
  • A Page of Madness 3:30 PM
  • American Splendor 8:30 PM

4/21/2018

  • 13th 10:30 AM
  • Daughters of Dust  2:30 PM
  • Rambling Rose 5:30 PM
  • The Big Lebowski 8:30 PM

4/22/2018

  • Rumble The Indians Who Rocked The World Noon 

Friday night, April 20, there will be a band, cake, and ice cream on the Plaza at the Virginia Theatre to celebrate the 20th anniversary. Sunday, as is tradition, a musical event will take place following the screening of Rumble: Indians Who Rocked the World.  This festival will be bringing films from the past to current issues facing the film industry. The festival will honor Egbert and films with equality.

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A Woman’s World, The Beguiled ~ Cannes

A Woman’s World, The Beguiled ~ Cannes

 

The Beguiled Red Carpet Cannes Film Festival
The Beguiled Red Carpet Cannes Film Festival

The Beguiled is one of the most anticipated films at Cannes Film Festival. Director, Sofia Coppola, brings the woman’s point of view and how it was for these women during this time period. The original film was from the man’s point of view. This point of view brings a new dynamic to the melodramatic remake.

Film synopsis At a girls’ school in Virginia during the Civil War, where the young women are sheltered from the outside world, a wounded Union soldier is taken in. Soon, the house is taken over with sexual tension, rivalries, and an unexpected turn of events.

The Beguiled Cannes Film Festival 4Chion Lifestyle
The Beguiled Courtesy of Cannes Film Festival

This film is a remake of (The Beguiled (1971).  Both films are based on the novel The Beguiled by Thomas Cullinan. The first film brings the male perspective of a wounded Union soldier. Coppola brings the story back with the perspective of the women in the boarding school.

The Beguiled Movie 4Chion Lifestyle
The Beguiled Movie

The revisiting of this film creates its own dynamics. Coppola says, “I never tried to remake the film, go back and tell my story. I wanted to forget that and to imagine how I would make this film.” She brings the women’s stories and perspective to the forefront.

Beguiled Cannes Film Festival 4Chion Lifestyle
The Beguiled Courtesy of Cannes Film Festival

Coppola discusses the film being a feminist film, she states, “It is up to the audience to determine how they want to take it. I put my thoughts into film and you can determine how it affects you. I was making the film from the female point of view. The core of the story is the power struggle between the male and female.” The story brings this struggle to the center of the film.

Living in a boarding school atmosphere where they are all women who are functioning well, until the new dynamic, Farrell enters the school. Kidman states about Farrell’s character, “I think he comes in an ruins everything. We were fine. We only could not procreate. Good riddance to him.” The dynamic changes for each person in the film.

The Beguiled Cannes Film Festival 4Chion Lifestyle
The Beguiled Courtesy of Cannes Film Festival

Kirsten Dunst, plays Edwina Dabney in the film, says “all these people pent-up together no matter male, female, or a mixture. There will always be something that comes out it is a survivalist technique. Colin just happens to be what all our aggression, energy, and emotions corseted up, lets say. They get unleashed because this new dynamic comes in.” This does bring a change for the girls attending the boarding school.

The Beguiled Nicole Kidman 4Chion Lifestyle
The Beguiled Nicole Kidman

Nicole Kidman recalls Martha Farnsworth, her character in the film, “is very maternal. Kidman states, “She is there to protect these girls in a very treacherous difficult time. Her motivation is to protect them, to guide them, to bring them, so when the war ends they are capable.” Farrell’s character makes it difficult for the continued protection.

Colin Farrell, John McBurney character in the film, states “It has been a journeyman to get here. Many miles of roads and many corsets. It was an amazing experience shooting this film. Coppola sets a particular mood, one that is of comfort, of ease, trust, and an environment that allows you as an actor to explore and play. It was my favorite experience and shoot. Sophia is a creative beast of an engine with tenderness, elegance, and a gentility.”  Looking forward to this film? It will be in theaters June 20, 2017.

The Beguiled Cannes Film Festival 4Chion Lifestyle b
The Beguiled Courtesy of Cannes Film Festival

 

Just a few fun notes from the press conference Kidman and Coppola often swiped their hair from the left side of their faces at the same time. Kidman discusses working through mistakes, “I try to focus on the positive. Sometimes you fail and sometimes you succeed.  That is the journey. You just get back up. . . You fall over you brush off your knees and get back up. It is a really hard thing to do. You cry and you feel. It is not saying don’t feel, but experience it navigates and get move through it. . . I’ll learn from everything.”

This 70th year will continue to evolve film worldwide. Stay tuned here for coverage of events from fashion, red carpet, actresses/actors, and films.

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Cast and Crew

Colin FARRELL – McBurney

Nicole KIDMAN – Miss Martha

Kirsten DUNST – Edwina

Elle FANNING – Alicia

Oona LAURENCE – Amy

Angourie RICE – Jane

Addison RIECKE – Marie

Emma HOWARD – Emily

Sofia COPPOLA – Director

Sofia COPPOLA – Script / Dialogue

Philippe LE SOURD – Director of Photography

Sarah FLACK – Film Editor

(Groupe) PHOENIX – Music

Anne ROSS – Set decorator

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Cannes Film Festival ~ Seventy Years Influencing Film

Cannes Film Festival ~ Seventy Years Influencing Film

Festival2017_30X18_DEF
70th Festival De Cannes Film Festival 2017 ©Bronx (Paris). Photo: Claudia Cardinale ©Archivio Cameraphoto Epoche/Getty Images Courtesy Cannes Film Festival

Festival De Cannes seventy years of influencing the film industry. The top international film festival worldwide. This festival, held in the beautiful resort town on the French Riviera, is the top publicized event from the films presented to celebrities on the red carpet.

16-zone-festival
Cannes, France Photo Credit FDC Courtesy Cannes Film Festival

The Cannes® Film Festival started in 1947 by, Jean Zay, Minister for Education and Fine Arts, who was keen to establish an international cultural event in France to rival the Venice Film Festival.” This festival received international recognition for the films and celebrities in the mid-1950s. The first time the festival top award, Palme d’or, went to the film Marty.  Today the film festival recognizes short and medium length films (Caméra d’Or), student films (Cinéfondation),  best first film presentation (Un Certain Regard), and best film (Palme d’or).

4-palmes
Festival De Cannes® Palme d’or Photo Credit FDC Courtesy Cannes Film Festival

This year Uma Thurman  is serving as the president of the Un Certain Regard Jury.  Uma Thurman brings her 20 year experience as an actress and director in the film industry. The prize list of films will be presented May 27, 2017.

Palme d’or film award jury is presided by Pedro Almodóvar, scriptwriter, director, and states,  “‘I am very happy to be able to celebrate the Festival de Cannes 70th anniversary from such a privileged position. I am grateful, honoured and a bit overwhelmed. I am aware of the responsibility that entails being the president of the jury and I hope to be up to the job.” He is joined by 4 men and 4 women:

Each jury member brings a strong influence with their career backgrounds and talent. This award is announced May 28 at the film festival closing ceremony.

Jane Campion heading up Cinéfondation. Campion is not new to Cannes. Her film, The Piano, awarded the Palme d’or in 1993. The jury is made up of five eminent film and literature . This jury selects their three prize winners from among the Cinéfondation’s selection of film school entrants.  This film award is presented at the closing ceremonies.

6-camera-or
Caméra d’or Festival De Cannes® Photo Credit FDC Courtesy Cannes Film Festival 

Caméra d’O jury presided by Sandrine Kiberlain, French actress. This is awarded to the first film in all categories combined. Kiberlain states, “I am honoured and excited to discover new directors.” She will present this award at the closing ceremony

This year’s film festival presents many anticipated films.

Palme d’or Official Selection

  • A Gentle Creature (Director Sergei Loznitsa)
  • (BPM) Beats Per Minute (Director Robin Campillo)
  • Good Time (Directors Benny & Josh Safdie)
  • Happy End (Director Michael Haneke)
  • In the Fade (Director Fatih Akin)
  • Jupiter’s Moon (Director Kornél Mundruczó)
  • Loveless (Director Andrey Zvyagintsev)
  • Okja (DirectorBong Joon-ho)
  • Radiance (DirectorNaomi Kawase)
  • Redoubtable (Director Michel Hazanavicius)
  • The Beguiled (Director Sofia Coppola)
  • The Day After (Director Hong Sang-soo)
  • The Killing of a Sacred Deer (dir: Yorgos Lanthimos)
  • The Meyerowitz Stories (Director Noah Baumbach)
  • The Square (Director Ruben Ostlund)
  • Wonderstruck (Director Todd Haynes)
  • You Were Never Really Here (Director Lynne Ramsay)

Un Certain Regard Official Selection

  • April’s Daughter (Director Michel Franco)
  • Barbara (Director Mathieu Amalric)
  • Beauty and the Dogs (Director Kaouther Ben Hania)
  • Before We Vanish (Director Kiyoshi Kurosawa)
  • Closeness (Director Kantemir Balagov)
  • Directions (Director Stephan Komandarev)
  • Dregs (Director Mohammad Rasoulof)
  • Jeune Femme (Director Léonor Serraille)
  • L’Atelier (Director Laurent Cantet)
  • La Cordillera (Director Santiago Mitre)
  • Lucky (DirectorSergio Castellitto)
  • Out (DirectorGyörgy Kristóf)
  • The Desert Bride (Directors Cecilia Atan and Valeria Pivato)
  • The Nature of Time (Director Karim Moussaoui)
  • Walking Past the Future (Director Li Ruijun)
  • Western (Director Valeska Grisebach)
  • Wind River (Director Taylor Sheridan)

Palme d’or Official Selection

  • A Drowning Man (Director Mahdi Fleifel)
  • Across My Land (Director Fiona Godivier)
  • Damana (Director Andrés Ramirez Pulido)
  • Katto (The Ceiling) (Director Teppo Airaksinen)
  • Koniec Widzenia (Time To Go) (Director Grzegorz Molda)
  • Lunch Time (Director Alireza Ghasemi)
  • Pépé Le Morse animation (Grandpa Walrus) (Director Lucrèce Andreae)
  • Push It (Director Julia Thelin)
  • Xiao Cheng Er Yue (A Gentle Night) (Director Qiu Yang)

Cinéfondation Official Selection

  • Afternoon Clouds (Director Payal Kapadia)
  • A Perdre Haleine (Director Léa Krawczyk)
  • Atlantîda, 2003 (Atlantis, 2003) (Director Michal Blasko)
  • Ben Mamshich (Heritage) (Director Yuval Aharoni)
  • Camouflage (Director Imge Özbilge)
  • Deux Égarés Sont Morts (Director Tommaso Usberti)
  • Give Up The Ghost (Director Marian Mathias)
  • Heyvan (Animal) (Director Bahman Ark)
  • Láthatatlanul (Invisibility) (Director Áron Szentéteri)
  • Lejla (Director Stijn Bouma)
  • Paul Est Lá (Paul Is Here) (Director Valentina Maurel)
  • Pequeno Manifiesto En Contra Del Cine Solemne (Little Manifesto Against Solemn Cinema) (Director Roberto Porta)
  • Tokeru (Director Aya Igashi)
  • Vazio Do Lado De Fora (Empty On The Outside) (Director Eduardo Brandao Pinto)
  • Wild Horses (Director Rory Stewart)
  • Yin Shian Bien Jlan Gon Lu (Towards The Sun) (Director Wang Yi-Ling)
11-photographes
Festival De Cannes® Red Carpet Photo Credit FDC Courtesy Cannes Film Festival

This film festival is May 17-28, 2017 in Cannes, France. This year will continue to evolve film worldwide. Stay tune here for coverage of events from fashion, red carpet, actresses/actors, and films.

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Connectivity ~ By Definition In The Wilderness

Connectivity ~ By Definition In The Wilderness

By Definition In The Wilderness a short fashion film presented at La Jolla Fashion Film Festival. The film brings a connectivity to the world of fashion with a group of friends in the Coachella Valley desert region.

By Definition In The Wilderness 4chion lifestyle
By Definition In The Wilderness Photo Credit LJIFFF

 

The friends become separated due to a desert storm. They have to overcome obstacles and find their way back to each other. Mathew Koppin, the film’s director, and producer states, “This film captures the edge of the independent spirit. Each person becomes lost in a desert storm.”  There is a connectivity these friends’ share that drives them to reconnect in the end. The active urban style presents a brand meant that is perfect for daily wear.

By Definition, the clothing brand represented in the film, the fashion lifestyle brand’s mission is designing and creating an eco-friendly fashion line. The clothing line is contemporary with a classic feel.

By Definition In The Wilderness LJFFF 4Chion Lifestyle
By Definition In The Wilderness LJFFF Photo Credit Raymond L Forchion Jr.

Kristen, film costuming and brand partner, says, “we want to teach people why recycling clothing is important. Our clothing production provides job stability contributing to families and the community. We give 5% of all sales to By Definition Foundation. ” This foundation supports the planet by funding programs, individuals, and entities that work to improve the earth.

This fashion brand is providing connectivity for consumers to the fashion they buy. They connectivity with awareness to the production, eco-friendly inks, the value in recycling clothing, and care for our clothing.

The friends in the film, as well as the clothing they are wearing, have a strong connectivity to the world around them.

Film nominated for Best Editing and Cinematography.

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Relationships Real and Technical ~ Robots

Relationships Real and Technical ~ Robots

Robots LJFFF Best Director 4Chion LIfestyle
Robots LJFFF Best Director Photo Credit LJIFFF

Robots, World Premiere at La Jolla Fashion Film Festival, gives us insight to their award-winning film. This film awarded Best Directors for Josh Brandåo and Nicolai Kornum. This film provides an insight into the blurred world of technology and human emotions that are fluid between humans and droids.

  • How does this film connect to fashion?

Robots” is an editorial style fashion film, which involves 6 primary designers, we invited them to take part in the project. The film uses fashion items creating the universe. This gives it a special aesthetic look, i.e. using close-ups of fashion items as doorways or buildings etc. We incorporate fashion with makeup and body painting for the characters’ look and use fashion accessories as props and plot points. This unique world creates the background for our story taking a critical look at our relationship with modern technology: smartphones and social media.

  •  How does location play into the subconscious side of the human affections? 

It might not play a big part in life, locations seem to disappear around us when our eyes become distracted and affected by an object or subject. Using film language, however, there is an option to create places and surroundings to build the atmosphere and mood of the characters to convey their feelings. This develops a subconscious level to an audience, which opens up many possibilities.

Robots Crew La Jolla Fashion Film Festival Red Carpet 4Chion Lifestyle
Robots Crew La Jolla Fashion Film Festival Red Carpet Photo Credit Raymond L Forchion Jr.
  • What is the one thing you do each day to make it successful? 

Drink coffee in the morning.

  • What is your background in film and direction? 

We have together made several fashion films over the last 6 years that have won several awards at festivals. We develop, produce, and finish the projects together from our photographic studio based in London.

Josh Brandao has a Master’s Degree in Fashion Photography from London College of Fashion and a degree in Moving Image and Performance Design from the Central Saint Martins College of Art and Design. Nicolai Kornum worked for 8 years as a First Assistant Director in Feature Films, Commercials, and TV-Drama and trained at the European Film College in Directing and Editing.

  • When creating this film what was the advantage of being a short film?

Most of the fashion films we create are usually editorial fashion films showcasing several designers in the same way as a magazine editorial and are not an advertising for one specific brand. This means we have greater creative freedom but the budgets are lower, which makes short films ideal. 

The short film format fits well for our stories and ideas, and is perfect for online distribution and showcasing at international festivals at this stage in our carriers.

  • This film takes on a message outside of the actual robot being the robot in the film. How was this juxtaposition developed?

We think it’s interesting how today we have become so attached to the great technology. We have the available in the palm of our hands that we seem more and more living inside the world of our smartphones and computers, perhaps neglecting what’s around us too. Of course, technology is important and has opened up a whole new world of possibilities and interactions.

In Robots, we tried to blur the lines between the humans and machines, playing with inverting the roles, both in the sense of making humans more like robots and giving actual robots human emotions.

  • What are the other locations is this film will be screening? 

The La Jolla Fashion Film Festival in San Diego, California is Robots world premiere. From there we will be screening the film in the International Fashion Film Festival circuit. Our next stop is the Miami Fashion Film Festival.

This film uses fashion to create the sensory experience of reality and machines being difficult to differentiate between. This creates a conversation about this reality as a real possibility in the near future with the complex development of machines.

Robots Directors La Jolla Fashion Film Festival Red Carpet 4Chion Lifestyle
Robots Directors La Jolla Fashion Film Festival Red Carpet Photo Credit Raymond L Forchion Jr.

A side note, we enjoyed the directors fun stylish suits worn on the red carpet.

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Connet with Robots and BlitzWerk Studio Here:

Trailer: https://www.youtube.com/watch?v=qoNLgkBSl14

Film: https://vimeo.com/220138919

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PRODUCTION TEAM

Producers & Directors | Josh Brandao & Nicolai Kornum

Cinematographer Editor |  Edited by Nicolai Kornum

Still Photography | Josh Brandão 

Makeup Einat Dan (Two time recipent Internation Fashion Film Makeup)

Prosthetic Make Up Artists ADRIAN RIGBY (Jordan Ebbitt) DANNY MARIE ELIAS (Nina De Lianin)

Make Up Artist ALESSANDRA SEMISA (Nina De Lianin)

Make Up Assistant FANNY BURGOS

Hair Styling | Ruby Hoshangi 

Stylist Thomas Petraccaro

Original Music Jan-Michael Coetzee

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