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Tag: Festival de Cannes

Right Side of History BlacKkKlansman

Right Side of History BlacKkKlansman

BlacKkKlansman is a film that is on the right side of history. The film debuted at Cannes De Festival to a standing ovation. This Spike Lee film brings the present day events to their historical ties with this film of Ron Stallworth’s real-life story.

BlacKkKlansman Spike Lee Cannes Red Carpet 4Chion Style
BlacKkKlansman Spike Lee Film

Film Synopsis:

Director Spike Lee presents BlacKkKlansman, an incendiary film inspired by the life of Ron Stallworth, the first police officer African-American to have infiltrated the Ku Klux Klan. Against all odds, the agent Stallworth (John David Washington) and his partner (Adam Driver) Flip Zimmerman will infiltrate the highest echelons of the Klan, to stop him from taking control of the city.

Actors at Festival De Cannes:

  • Spike Lee ~ Director/Writer
  • Adam Driver ~ Flip Zimmerman
  • Topher Grace ~ David Duke
  • Laura Harrier ~ Patrice
  • John David Washington ~ Ron Stallworth

BlacKkKlansman Current History

Spike Lee discusses how surreal the tragedy of Heather Higher being murdered at Charlottesville Virginia protests brings coda to this film. Her death took place after filming completion. Lee put it in the film to see what happened. When he saw what happened he knew this was the final scene.

He states, “I had to do something first. I was given Susan Bro’s, Higher’s mother, phone number. I was not going to put that murder scene in that film without her blessing. Mrs. Bro said, ‘Spike I give you permission to put that in.'” They collected footage and photos from those at the time of Higher’s murder to get the best coverage of this horrific unnecessary murder. Higher should be alive today. The President of the United States could not stand up to the world to say we are about love, not about hate, we are better than murdering a young woman.

Lee goes on to speak about the building of the United States of America (USA) from the genocide of Native Americans and slavery. This is the fabric of the USA. This scene had to go in to show that our leaders are giving us a direction that is not moral. This is a worldwide problem. It is not a black, brown, and white world. We all live on this planet. We have to stand up and stop being silent.

BlacKkKlansman Spike Lee Cannes Red Carpet 4Chion Style b
BlacKkKlansman Spike Lee Cannes Red Carpet

BlacKkKlansman Screenplay

Jordan Peele, the film’s producer, pitched the story of Ron Stallworth. Lee thought it was a comedy skit. When he realized it was a true story he brought Kevin Willmott in to assist with writing the screenplay. There was one thing that Lee understood in making the film it had to tie to the current climate. The situations today did not just pop up but they have been around for decades.

The focus of the story was to tell this period piece while connecting to present day. The movie needed to end in the present day. Lee says, “I did not have the crystal ball, even though my friends call me negrodamus. The film’s ending was not written it was true life. Lee continues with Spike Lee joiners you got to flow, cannot be rigid, got to be hip, on it. There is no way in the world he could not make that the end of the film. The screenplay is based on the book by Stallworth, Black Klansman. 

Chaz Ebert asks about the language in the film and if it is necessary to use the tone and word choice.  Lee answers “words are hateful. Words can be hateful and I do not think I was elaborating on how the Klan not only hates blacks they hate Jews, they are number two on the list. They do not speak lovely terms and those words are harmful. The way we had them speaking in the film is the way they speak every day. It was my decision to hear those words. I wanted the hate to be verbalized.”

BlacKkKlansman Cast and Crew

Lee states, “This is very simple we tell the story.  That is what we do. I do not do this shit alone. I am a general manager of a sport’s team. Put the best players out there. Filmmaking is a collaborating effort.  It is some hard shit. Filmmaking is hard shit. You got to go to work. Learn your craft and do your research.” You want to put the best people behind the camera to make the best film you can.

Barry Alexander Brown, a film editor,  is able to create the final scene from footage taken from people’s phone. He was able to prove the needless death of Higher and that she should be alive now.

Chayse Irvin, the cinematographer, is amazing. He shot this on film, not digital. We really wanted to have the look of seventies films split screens. I forgot shooting with film takes a lot of time because it has been so long since working with film.

John David Washington (son of Denzel Washington) plays Ron Stallworth in the movie.  Washington was able to learn from Stallworth about what he was going through he is like the Jackie Robinson of police. It took a lot to get the position in the police department.  While Stallworth was protecting and servicing Colorado Springs, he prevented terrorist violence. There were no violent acts during this time on the police force. One black man, that is very well supported.

He wanted to inhabit his spirit. Setting up the environment was a great collaborating environment. Your abilities become unlimited in this environment. He felt very blessed to have this experience glad to be a part of this experience.

Adam Drive, his character Flip Zimmerman, we had a week or two to talk about it before. The research helps but you have to let that go when you get on set. Pay attention to what is being said by you and cast. Playing music on my iPod assisted. Spike creates a very that best idea wins very familial. Best ideas win, a very egoless set. Everyone had a life outside the filming and we got home at a decent hour. Spike sets the tone that it is easy that you feel free to fail.

Topher Grace, his character is David Duke, KKK Grand Wizard put in a lot of time for his part.  He read My Awaking by David Duke,  watched The Donahue Show when the KKK was on the show, and listened to his radio show. Grace recalls being asked to play in a Lee film, “This is one of the happiest times in my life followed by one of the worst times when I realized the character I was going portray.” He felt the responsibility to get it right, but no did not feel the responsibility to Duke.

Grace capture this character through the script, it did a really good job of creating the KKK and David as a leader. Lee is a great coach. There was a day I had to something that was really evil. Spike said, “Try this a Nazi salute and said white power. I am rarely affected by filming but I was in a very bad space.” Lee assisted him by explaining that this is a message that you agree with even though you don’t agree with the character you are playing.

Laura Harrier, her character Patrice, she tried to inhabit the spirit and time period. Meeting her real-life character helped her embrace the character’s life, relationships, and spirit. She watched Black Panther footage and listened to the music. Having a great team and taking Spike’s guidance.

BlacKkKlansman Spike Lee Cannes Red Carpet 4Chion Style b
BlacKkKlansman Spike Lee Cannes Image Credit Antonin Thuillier

BlacKkKlansman Message

Lee talks about the message as being believing in hope. Many of his films are hope like Do the Right thing is a hopeful film. He is not blind or deaf, he thinks you can be hopeful but be aware. This film will be seen around the world. This is a global problem. I do hope that other people from other countries will see that this is happening where they live. Lee says, “I have hope that this film shakes people from their slumber. This is a very important film. People are having a hard time coping. In our hearts, we know what is right and wrong. When you have wrong staring you dead in your face and mums the word, you are supporting the opposing causes.”orting the opposing causes.”

The film will release on the one-year anniversary of Charlottesville demonstration August 10, 2018.

This is truly an incredible film one that is gut wrenching, funny, honest, and real. It brings this issues full circle and to the present day. @officialspikelee @jordanpeele thank you

See the trailer here

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Photo Credit Cannes Film Festival

Anne-Christine Poujoulat—AFP/Getty Images

Festival de Cannes® 2018 ~ Palme d’or Jury

Festival de Cannes® 2018 ~ Palme d’or Jury

Festival De Cannes® will present the Palme d’or film award, the top award at Cannes. This year marks the 71st year this film festival continues to influence film worldwide. There are 22 films official selected for Palme d’or film award.

The Jury of the 71st Festival de Cannes® 4chion Lifestyle
The Jury of the 71st Festival de Cannes®

Jury Palme D’Or Festival De Cannes®

Palme d’or film award jury is presided over by Cate BlanchettAustralian actress, and producer. She fields lots of questions about gender and the festival during the opening press conference. Festival De Cannes® chose only 3 women directors to present this year. She says, “Three female directors in the competition earned their spots.” She goes on to say, “Being attractive does not preclude being intelligent.”  Five women and four men from seven nationalities and four continents join her:

  • Chang Chen (Chinese Actor)
    • Chang Chen made his film debut in the late Edward Yang’s A Brighter Summer Day. He rose to fame in the Ang Lee’s Crouching Tiger, Hidden Dragon in 2000.
  • Ava DuVernay (American writer, director, producer)
    • Nominated for the Academy Award and Golden Globe and winner of the BAFTA and EMMY, Ava DuVernay is a writer, director, producer and film distributor known for the historical drama Selma(2014)
  • Robert Guédiguian (French director, writer, producer)
    • The work of Robert Guédiguian, an activist filmmaker, celebrates the city of Marseille where he grew up. Acclaimed by critics when he first started directing in the 80s, he met public success with Marius and Jeannette, which won the Prix Louis-Delluc in 1997.
  • Khadja Nin (Burundian songwriter, composer, singer)
    • Youngest of a family of eight Khadja Nin studied music at an early age, before leaving Africa to go to Europe. Her albums are a mix of occidental pop music, African and afro-cuban rhythms.
  • Léa Seydoux (French actress)
    • Rising to fame with Christophe Honoré’s The Beautiful Personin 2008, Léa Seydoux is an award-winning actress, notably the Palme d’or for Abdelatif Kechiche’s Blue is the Warmest Colour in 2013.
  • Kristen Stewart (American actress)
    • Kristen Stewart has been playing roles since an early age and received widespread recognition in 2008 for The TwilightSaga film series (2008–12).
  • Denis Villeneuve (Canadian director, writer)
    • Internationally renowned and recently two-time Academy Award winner for Blade Runner 2049, Denis Villeneuve made his debut at the National Film Board of Canada in the early 90’s.
  • Andrey Zvyagintsev (Russian director, writer)
    • Multi-award winning filmmaker Andreï Zvyagintsev has already become one of the most respected directors in Russian and international cinema. He directed his first feature film in 2003 The Return, which won him a Golden Lion at the Venice Film Festival.

Palme d’or In Competition Festival De Cannes®

This year’s official Festival De Cannes® selection for the Palme d’or is highly anticipated and exceptional films. Films come from all over the world representing top directing and actors. Jury members bring a strong influence from their careers, strong backgrounds, and talent that is an asset to this choice of the best film.

This year’s Festival De Cannes® official choice for the Palme d’or is highly anticipated and exceptional films. These nominated films come from all over the world representing top directing and actors include:

  • Asghar FARHADI TODOS LO SABEN (EVERYBODY KNOWS)
  • Stéphane BRIZÉ AT WAR
  • Nuri Bilge CEYLAN AHLAT AGACI (THE WILD PEAR TREE)
  • Sergey DVORTSEVOY AYKA
  • Matteo GARRONE DOGMAN
  • Jean-Luc GODARD LE LIVRE D’IMAGE (THE IMAGE BOOK)
  • Yann GONZALEZ KNIFE + HEART
  • Ryusuke HAMAGUCHI  NETEMO SAMETEMO (ASAKO I & II) (ASAKO I & II)
  • Christophe HONORÉ SORRY ANGEL
  • Eva HUSSON GIRLS OF THE SUN
  • JIA Zhang-Ke JIANG HU ER NV (ASH IS PUREST WHITE)
  • KORE-EDA Hirokazu MANBIKI KAZOKU (SHOPLIFTERS)
  • Nadine LABAKI CAPERNAUM
  • LEE Chang-Dong BURNING
  • Spike LEE BLACKKKLANSMAN 
  • David Robert MITCHELL UNDER THE SILVER LAKE
  • Jafar PANAHI SE ROKH (THREE FACES)
  • Pawel PAWLIKOWSKI ZIMNA WOJNA (COLD WAR)
  • Alice ROHRWACHER LAZZARO FELICE (HAPPY AS LAZZARO)
  • Kirill SEREBRENNIKOV LETO
  • A.B. SHAWKY YOMEDDINE 1st film
  • Terry GILLIAM THE MAN WHO KILLED DON QUIXOTE

You can see the screening guide here. This award is announced May 19 at the film festival closing ceremony.

This 71st year will continue to evolve film worldwide. Stay tuned here for coverage of events from fashion, red carpet, actresses/actors, and films.

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Cannes Film Festival ~ Seventy Years Influencing Film

Cannes Film Festival ~ Seventy Years Influencing Film

Festival2017_30X18_DEF
70th Festival De Cannes Film Festival 2017 ©Bronx (Paris). Photo: Claudia Cardinale ©Archivio Cameraphoto Epoche/Getty Images Courtesy Cannes Film Festival

Festival De Cannes seventy years of influencing the film industry. The top international film festival worldwide. This festival, held in the beautiful resort town on the French Riviera, is the top publicized event from the films presented to celebrities on the red carpet.

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Cannes, France Photo Credit FDC Courtesy Cannes Film Festival

The Cannes® Film Festival started in 1947 by, Jean Zay, Minister for Education and Fine Arts, who was keen to establish an international cultural event in France to rival the Venice Film Festival.” This festival received international recognition for the films and celebrities in the mid-1950s. The first time the festival top award, Palme d’or, went to the film Marty.  Today the film festival recognizes short and medium length films (Caméra d’Or), student films (Cinéfondation),  best first film presentation (Un Certain Regard), and best film (Palme d’or).

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Festival De Cannes® Palme d’or Photo Credit FDC Courtesy Cannes Film Festival

This year Uma Thurman  is serving as the president of the Un Certain Regard Jury.  Uma Thurman brings her 20 year experience as an actress and director in the film industry. The prize list of films will be presented May 27, 2017.

Palme d’or film award jury is presided by Pedro Almodóvar, scriptwriter, director, and states,  “‘I am very happy to be able to celebrate the Festival de Cannes 70th anniversary from such a privileged position. I am grateful, honoured and a bit overwhelmed. I am aware of the responsibility that entails being the president of the jury and I hope to be up to the job.” He is joined by 4 men and 4 women:

Each jury member brings a strong influence with their career backgrounds and talent. This award is announced May 28 at the film festival closing ceremony.

Jane Campion heading up Cinéfondation. Campion is not new to Cannes. Her film, The Piano, awarded the Palme d’or in 1993. The jury is made up of five eminent film and literature . This jury selects their three prize winners from among the Cinéfondation’s selection of film school entrants.  This film award is presented at the closing ceremonies.

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Caméra d’or Festival De Cannes® Photo Credit FDC Courtesy Cannes Film Festival 

Caméra d’O jury presided by Sandrine Kiberlain, French actress. This is awarded to the first film in all categories combined. Kiberlain states, “I am honoured and excited to discover new directors.” She will present this award at the closing ceremony

This year’s film festival presents many anticipated films.

Palme d’or Official Selection

  • A Gentle Creature (Director Sergei Loznitsa)
  • (BPM) Beats Per Minute (Director Robin Campillo)
  • Good Time (Directors Benny & Josh Safdie)
  • Happy End (Director Michael Haneke)
  • In the Fade (Director Fatih Akin)
  • Jupiter’s Moon (Director Kornél Mundruczó)
  • Loveless (Director Andrey Zvyagintsev)
  • Okja (DirectorBong Joon-ho)
  • Radiance (DirectorNaomi Kawase)
  • Redoubtable (Director Michel Hazanavicius)
  • The Beguiled (Director Sofia Coppola)
  • The Day After (Director Hong Sang-soo)
  • The Killing of a Sacred Deer (dir: Yorgos Lanthimos)
  • The Meyerowitz Stories (Director Noah Baumbach)
  • The Square (Director Ruben Ostlund)
  • Wonderstruck (Director Todd Haynes)
  • You Were Never Really Here (Director Lynne Ramsay)

Un Certain Regard Official Selection

  • April’s Daughter (Director Michel Franco)
  • Barbara (Director Mathieu Amalric)
  • Beauty and the Dogs (Director Kaouther Ben Hania)
  • Before We Vanish (Director Kiyoshi Kurosawa)
  • Closeness (Director Kantemir Balagov)
  • Directions (Director Stephan Komandarev)
  • Dregs (Director Mohammad Rasoulof)
  • Jeune Femme (Director Léonor Serraille)
  • L’Atelier (Director Laurent Cantet)
  • La Cordillera (Director Santiago Mitre)
  • Lucky (DirectorSergio Castellitto)
  • Out (DirectorGyörgy Kristóf)
  • The Desert Bride (Directors Cecilia Atan and Valeria Pivato)
  • The Nature of Time (Director Karim Moussaoui)
  • Walking Past the Future (Director Li Ruijun)
  • Western (Director Valeska Grisebach)
  • Wind River (Director Taylor Sheridan)

Palme d’or Official Selection

  • A Drowning Man (Director Mahdi Fleifel)
  • Across My Land (Director Fiona Godivier)
  • Damana (Director Andrés Ramirez Pulido)
  • Katto (The Ceiling) (Director Teppo Airaksinen)
  • Koniec Widzenia (Time To Go) (Director Grzegorz Molda)
  • Lunch Time (Director Alireza Ghasemi)
  • Pépé Le Morse animation (Grandpa Walrus) (Director Lucrèce Andreae)
  • Push It (Director Julia Thelin)
  • Xiao Cheng Er Yue (A Gentle Night) (Director Qiu Yang)

Cinéfondation Official Selection

  • Afternoon Clouds (Director Payal Kapadia)
  • A Perdre Haleine (Director Léa Krawczyk)
  • Atlantîda, 2003 (Atlantis, 2003) (Director Michal Blasko)
  • Ben Mamshich (Heritage) (Director Yuval Aharoni)
  • Camouflage (Director Imge Özbilge)
  • Deux Égarés Sont Morts (Director Tommaso Usberti)
  • Give Up The Ghost (Director Marian Mathias)
  • Heyvan (Animal) (Director Bahman Ark)
  • Láthatatlanul (Invisibility) (Director Áron Szentéteri)
  • Lejla (Director Stijn Bouma)
  • Paul Est Lá (Paul Is Here) (Director Valentina Maurel)
  • Pequeno Manifiesto En Contra Del Cine Solemne (Little Manifesto Against Solemn Cinema) (Director Roberto Porta)
  • Tokeru (Director Aya Igashi)
  • Vazio Do Lado De Fora (Empty On The Outside) (Director Eduardo Brandao Pinto)
  • Wild Horses (Director Rory Stewart)
  • Yin Shian Bien Jlan Gon Lu (Towards The Sun) (Director Wang Yi-Ling)
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Festival De Cannes® Red Carpet Photo Credit FDC Courtesy Cannes Film Festival

This film festival is May 17-28, 2017 in Cannes, France. This year will continue to evolve film worldwide. Stay tune here for coverage of events from fashion, red carpet, actresses/actors, and films.

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A Woman’s World, The Beguiled ~ Cannes

A Woman’s World, The Beguiled ~ Cannes

The Beguiled Red Carpet Cannes Film Festival
The Beguiled Red Carpet Photo Credit Mathilde Petit FDC Cannes Film Festival

The Beguiled is one of the most anticipated films at Cannes Film Festival. Director, Sofia Coppola, brings the woman’s point of view and how it was for these women during this time period. The original film was from the man’s point of view. This point of view brings a new dynamic to the melodramatic remake.

Film synopsis At a girls’ school in Virginia during the Civil War, where the young women are sheltered from the outside world, a wounded Union soldier is taken in. Soon, the house is taken over with sexual tension, rivalries, and an unexpected turn of events.

The Beguiled Cannes Film Festival 4Chion Lifestyle
The Beguiled Photo Credit FDC Courtesy Cannes Film

This film is a remake of (The Beguiled (1971).  Both films based on the novel The Beguiled by Thomas Cullinan. The first film brings the male perspective of a wounded Union soldier. Coppola brings the story back with the perspective of the women in the boarding school.

The Beguiled Movie 4Chion Lifestyle
The Beguiled Movie Photo Credit FDC Courtesy Cannes Film

The revisiting of The Beguiled creates its own dynamics. Coppola says, “I never tried to remake the film, go back and tell my story. I wanted to forget that and to imagine how I would make this film.” She brings the women’s stories and perspective to the forefront.

Beguiled Cannes Film Festival 4Chion Lifestyle
The Beguiled Photo Credit FDC Courtesy Cannes Film

Coppola discusses the film being a feminist film, she states, “It is up to the audience to determine how they want to take it. I put my thoughts into film and you can determine how it affects you. I was making the film from the female point of view. The core of the story is the power struggle between the male and female.” The story brings this struggle to the center of the film.

Living in a boarding school atmosphere where they are all women who are functioning well, until the new dynamic, Farrell enters the school. Kidman states about Farrell’s character, “I think he comes in an ruins everything. We were fine. We only could not procreate. Good riddance to him.” The dynamic changes for each person in the film.

The Beguiled Cannes Film Festival 4Chion Lifestyle
The Beguiled Courtesy of Cannes Film Festival Photo Credit FDC Courtesy Cannes Film Festival

Kirsten Dunst, plays Edwina Dabney in the film, says “all these people pent up together no matter male, female, or a mixture. There will always be something that comes out it is a survivalist technique. Colin just happens to be what all our aggression, energy, and emotions corseted up, let’s say. They get unleashed because this new dynamic comes in.” This does bring a change for the girls attending the boarding school.

The Beguiled Nicole Kidman 4Chion Lifestyle
The Beguiled Nicole Kidman CreditFDC Courtesy Cannes Film Festival

Nicole Kidman recalls Martha Farnsworth, her character in the film, “is very maternal. Kidman states, “She is there to protect these girls in a very treacherous difficult time. Her motivation is to protect them, to guide them, to bring them, so when the war ends they are capable.” Farrell’s character makes it difficult for the continued protection.

Colin Farrell, John McBurney character in the film, states “It has been a journeyman to get here. Many miles of roads and many corsets. It was an amazing experience shooting this film. Coppola sets a particular mood, one that is of comfort, of ease, trust, and an environment that allows you as an actor to explore and play. It was my favorite experience and shoot. Sophia is a creative beast of an engine with tenderness, elegance, and a gentility.”  Looking forward to this film? It will be in theaters June 20, 2017.

The Beguiled Cannes Film Festival 4Chion Lifestyle b
The Beguiled Courtesy of Cannes Film Festival Credit FDC Courtesy Cannes Film Festival

Just a few fun notes from the press conference Kidman and Coppola often swiped their hair from the left side of their faces at the same time. Kidman discusses working through mistakes, “I try to focus on the positive. Sometimes you fail and sometimes you succeed.  That is the journey. You just get back up. . . You fall over you brush off your knees and get back up. It is a really really hard thing to do. You cry and you feel. It is not saying don’t feel, but experience it navigates and get move through it. . . I’ll learn from everything.”

This 70th year will continue to evolve film worldwide. Stay tuned here for coverage of events from fashion, red carpet, actresses/actors, and films.

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Cast and Crew

Colin FARRELL – McBurney

Nicole KIDMAN – Miss Martha

Kirsten DUNST – Edwina

Elle FANNING – Alicia

Oona LAURENCE – Amy

Angourie RICE – Jane

Addison RIECKE – Marie

Emma HOWARD – Emily

Sofia COPPOLA – Director

Sofia COPPOLA – Script / Dialogue

Philippe LE SOURD – Director of Photography

Sarah FLACK – Film Editor

(Groupe) PHOENIX – Music

Anne ROSS – Set decorator

Photo Credit Photo Credit FDC Courtesy Cannes Film

Cannes Film Festival 70 Years & Counting

Cannes Film Festival 70 Years & Counting

The Jury and the 2017 winners Image Credit : Alberto Pizzoli : AFP 4chion lifestyle
The Jury and the 2017 winners Image Credit: Alberto Pizzoli: AFP

Cannes Film Festival 2017 ends with just as much grandeur as the last 70 years. The thousands of films, masterclasses, and fashion on the red carpet represents the best in film and arts.

The juries enjoyed film after film. The jury members include:

Ruben Östlund, Palme d'or - The Square Image Credit : Loic Venance : AFP 4Chion Lifestyle
Ruben Östlund, Palme d’or – The Square Image Credit: Loic Venance : AFP

Feature Films Jury

The Jury and the winners of Un Certain Regard 2017© Christophe Bouillon - FDC Cannes Film Festival 4Chion Lifestyle
The Jury and the winners of Un Certain Regard 2017© Christophe Bouillon – FDC Cannes Film Festival

Un Certain Regard

  • Uma Thurman 
  • Mohamed Diab
  • Reda Kateb 
  • Joachim Lafosse 
  • Karel Och 
The winners of the 2017 Cinéfondation © Mathilde Petit - FDC Cannes Film Festival 4Chion Lifestyle
The winners of the 2017 Cinéfondation © Mathilde Petit – FDC Cannes Film Festival

Cinéfondation

  • Cristian Mungiu
  • Clotilde Hesme
  • Athina Rachel Tsangari
  • Barry Jenkins
  • Eric Khoo

The closing ceremonies ended the festival with honoring the top films with a presentation. Nicole Kidman in regards to her honor, states (video from Nashville Tennessee) “I feel blessed to be able to work in this profession. The 70th celebration was incredible; it was the celebration of cinema and stories.” This season Cannes Film Festival continues to draw positive attention to the top world-class film festival. Looking forward to 70 more years at Cannes.

See the photos fromthe Cannes Film Festival here.

Feature Films

PALME D’OR
THE SQUARE by Ruben ÖSTLUND

70th Anniversary Award
Nicole KIDMAN

GRAND PRIX
120 BATTEMENTS PAR MINUTE (BPM – Beats Per Minute)
by Robin CAMPILLO

BEST DIRECTOR
Sofia COPPOLA for THE BEGUILED

BEST PERFORMANCE BY AN ACTOR
Joaquin PHOENIX in YOU WERE NEVER REALLY HERE by Lynne RAMSAY

BEST PERFORMANCE BY AN ACTRESS
Diane KRUGER in AUS DEM NICHTS (In The Fade) by Fatih AKIN

JURY PRIZE
NELYUBOV (Loveless) by Andrey ZVYAGINTSEV

BEST SCREENPLAY EX-ÆQUO
Yorgos LANTHIMOS and Efthimis FILIPPOU
for THE KILLING OF A SACRED DEER
Lynne RAMSAY
for YOU WERE NEVER REALLY HERE

SHORT FILMS

PALME D’OR
XIAO CHENG ER YUE (A Gentle Night) by QIU Yang

MENTION DISTINCTION BY THE JURY
KATTO (The Ceiling) by Teppo AIRAKSINEN
CAMÉRA D’OR

UN CERTAIN REGARD” PRIZE
LERD (UN HOMME INTÈGRE – A MAN OF INTEGRITY)
by Mohammad Rasoulof

PRIZE FOR BEST ACTRESS
JASMINE TRINCA for FORTUNATA by Sergio Castellitto

PRIZE FOR THE BEST POETIC NARRATIVE
BARBARA de Mathieu Amalric

PRIZE FOR BEST DIRECTION
Taylor Sheridan for WIND RIVER

JURY PRIZE
LAS HIJAS DE ABRIL (APRIL’S DAUGHTER) by Michel Franco

JEUNE FEMME (Montparnasse Bienvenüe) by Léonor SERRAILLE
presented at UN CERTAIN REGARD
The CST Jury awarded the VULCAIN PRIZE FOR ARTIST-TECHNICIAN to Josefin ASBERG
The Cinéfondation and Short Films

First Prize
PAUL EST LÀ (Paul Is Here )
directed by Valentina MAUREL
INSAS, Belgium

Second Prize
HEYVAN (AniMal )
directed by Bahram & Bahman ARK
Iranian National School of Cinema, Iran
Third Prize
DEUX ÉGARÉS SONT MORTS (Two Youths Died)
directed by Tommaso USBERTI
La Fémis, France
Awards
€15,000 grant for the First Prize, €11,250 for the Second and €7,500 for the Third.
The winner of the First Prize is also guaranteed the presentation of his/her first feature film at the Festival de Cannes.

Rerun in Paris
The awarded films will be screen at Cinéma du Panthéon on May 30th at 7 p.m.
All the films of the Cinéfondation selection will screen at the Cinémathèque Française on May 31st & June 1st.

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Photo Credits Cannes Film Festival

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