Working together with the directors, crew while keeping the audience and contestants in mind they develop a set that provides the sensory experience.
The anxiousness, nerves, and competition felt in the set design. His focus with the set design is taking the story and style of the environment to experience. This draws the audience, crew, and more into the full feeling.
Connelly’s background provides him with the visual aesthetics on stage to convey the feelings, beauty, and functionality. His parents were architect and art teacher. He participated in theater in High School and graduated from college with a fine art degree.
He faces new challenges with every new season on the set. He sees behavior is the result of environment plus personality. He sees the artists’ personality journeying through the hallways and The Voice brand as the environment. There are real stories with each artist. The set creates the feelings and storytelling. This is how he focuses the set design each season.
The new set takes a team effort, without changing the spinning chairs. He is grateful for the team he is working with on the show. He has served on the Peer Group at the Television Academy since 2008 and is on the Academy Governor’s Board. His talent and insight to aesthetics bring this Emmy winner to the Creative Arts Awards again.
The Voice took home 2 Emmys at The Emmys® for Outstanding Lighting Design Lighting Direction For a Variety Series and Outstanding Reality Competition Program.
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Following the Emmys® celebrities like Tracee Ellis Ross,Lily Tomlin, Elisabet Moss, Tituss Burgess, John Lithgow, and Denis O’Hare will gather at the Governors Ball. This year the top in the food, pastry, and design gather to showcase their talents over three evenings at the Governors Ball. This year’s theme is “Golden Grandeur.”
“The 2017 Governors Ball and Creative Arts Governors Ball events will set the gold standard in terms of elegance and environmental sustainability – verifying the two concepts can be compatible,” said Governors Ball Committee Co-Chair, Barbara Cassel. The evening decor will be contemporary and dazzling. The elements of the evening include recycled, repurposed or bio-degradable.
The decor will use eco-friendly paint, all plants turned into mulch after the event, and the linens, tables, and equipment reused for future events. Sequoia Productions will make sure this is a zero waste evening.
Chef Joachim Splichal and Patina Catering (22nd consecutive year) serving a three-course meal. Executive Pastry Chef Frania Mendivil, brings the Golden Grandeur theme to the pastries masterfully. They will showcase produce at the peak of the season while using culinary sustainability. Patina Catering partners with L.A. Kitchen, a local nonprofit that believes no food go to waste, as well as donating food waste from the celebrations to local farms as compost for the next season of crops.
The menu includes:
First Course
Last of the Heirlooms Local heirloom tomatoes, dinosaur plum, red quinoa, charred leek vinaigrette, balsamic jelly, basils, and sea salt.
Main Course
Pan Roasted Filet Mignon Mission figs, asparagus, purple marble potatoes, roasted red flame grapes, creamy horseradish purée, and whole grain mustard sauce.
Dessert
Alunga Brownie Bar Dulce de leche, roasted cherries, and cherry gel
Main courserecipe for your evening glamorous party:
For the Beef:
Season the beef with salt and pepper, and sear in a pan with 2 ounces olive oil, until caramelized on all sides. Place in oven, and cook to an internal temperature of 128 degrees. Remove from oven cover with foil and let rest 5 minutes. For the Red Wine Sauce: Sauté the 4 tbsp finely chopped onion over low heat for 2 minutes, then pour in the red wine. Add the smashed garlic and thyme, raise the heat, and cook until the wine is reduced by half. Remove the pan from heat and stir in butter, followed by the mustard. Season with salt and pepper.
For the Grapes:
Arrange grape clusters on a baking sheet. Drizzle with a little olive oil, salt, and pepper. Roast in a 450-degree oven about 15 minutes, until skins are crisp, and grapes are slightly softened. For the potato purée: Bake the potatoes until cooked through, peel and pass through a strainer or food mill, and place in a sauce pot. Add cream, then add just enough milk to achieve a loose potato purée, then add butter, horseradish, salt, and pepper. Set aside.
For the Garnish:
Coat asparagus with olive oil and grill the asparagus over high heat for 5 to 8 minutes and cut into thirds. Wrap the purple potatoes in aluminum foil with a light coating of olive oil, salt and a branch of fresh thyme, then bake in a 325-degree oven until cooked, about 20 minutes.
To serve:
Spoon the horseradish potato purée onto the center of the plate. Slice the beef, and place 2 slices on each plate. Pour some red wine sauce over the beef. Garnish each plate with figs, purple potatoes, asparagus and a cluster of grapes. Sprinkle parsley on top.
The evening will have exclusive drinks, wines, and a custom bottle of Sterling Vineyards’ new luxury Cabernet Sauvignon, IRIDIUM. Fuji water will keep the guest hydrated through the evening with their exceptional water and custom straws.
Sterling Vineyards presents Cabernet Sauvignon, Napa Valley Sauvignon Blanc, and Napa Valley Chardonnay. The Guests entering the Governors Ball will enjoy flutes of Ferrari Brut Trentodoc. Ferrari Trento Vineyards is organic certification awarded, keeping with the eco-friendly dinner. Charles Joly designed a signature Emmy cocktail featuring The Hilhaven Lodge Blended Straight American Whiskey. The signature Emmy® cocktail, Created in partnership with renowned director and producer Brett Ratner, is a balanced combination of Hilhaven Lodge Fireside Whiskey, Absinthe, spiced pear liqueur, and fresh lemon juice. Throughout the evening, attendees will enjoy the Diageo Luxury Brands collection.
This is the country’s largest sit-down dinner for 4,000 Emmy winners, nominees and entertainment luminaries. The evening will be glamorous after the Creative Arts and Primetime Emmys®.
The 69th Emmy Awards will telecast live from the Microsoft Theater in Los Angeles, Sunday, September 17 (8:00-11:00 PM ET/5:00-8:00 PM PT) on CBS. Stephen Colbert will serve as host.
Moods of Norway, Men and women’s fashion, brings ready-to-wear to Style Fashion Week runway. They make clothing for great moments and memories from day-to-night.
Fernando Alberto, a fashion designer, presents Under A Black Moon handcrafted print designs. Alberto’s fall-winter 2017 collection’s runway is at Art Hearts Fashion Week at Beverly Hilton.
Alberto states, “I don’t have an inspiration. I see something I like and go from there.” This collection develops from photographs of dead trees. He creates the fabric print from this photograph.
This takes us on a journey through the woods with fabrics that are modern, reflective, and full of movement. This collection creates light in something so dark. He steps from his normal romantic collection. Fabrics include vegan leather was buttery. The polygon uni fabric felt like silk. Practicality in design is important to the consumer. He creates his own patterns, cut the fabric, and takes ownership of each piece created.
Alberto carries on the family tradition of elegant fashion. The understanding and appreciation of design bring sophistication glamor to women. His talent is well recognized by the fashion industry as the fashion house to watch and celebrities. His designs worn by Joy Huerta at the Grammys, Ajiona Alexus at the MTV Awards, Mariah Carey, Lauren Hill, Ashanti, and Mya.
Alberto talent is the art of creating women wear that is elegant, filled with motion, and the strong sense of a woman’s form. This fall-winter collection connects luxurious fabrics and textures creating beautiful art while taking a journey Under A Dark Moon.
Beauty direction by April Love Pro Makeup Academy.
Antonella A Commatteo, the designer of Commatteo, takes the runway wearing an asymmetrical top with a peek-a-boo short underneath. The attention to her personal style concludes the runway with a strong influence line created in the collection. Lines bring this collection a perspective that creates a personal fashion statement.
The line creation for some dresses uses a slit to create a movement that is unique to the dress. The ability to vent the dress around provides a revealing sexy appeal in the movement. Taking the dart off the gown brings a free flow movement to the gown.
The empire waistline silhouette fits the bodice, but here is designed without the normally gathered skirt. The long loose flow provides more volume to the gown and places emphasizes on the bust line. The use of lines in different directions and angles provides a visual dimension and depth to the collection.
The front of Ava Capra’s, model, dress as well as the gown was worn by Sibley Scoles, E! News Correspondent, creates a line with the placement of the geometric shapes. The back of Capra’s dress is sheer black. Continuing with the revelation of sensuality. The pleat lines below the waist provide a voluminous flow.
The dress worn by Capra the collar gives the illusion that it continues down the back. When the model turns around you see that the collar is round. Scoles’ dress uses a combination of traditional collars and necklines to create the height and depth. The various necklines in the collection combine traditional collars and neckline to create new shapes, dimensions, and illusions.
“The runway makeup styling is natural especially the brow. We are going to see more natural brows this spring.” (Alejandra Barraza, TNT Agency) “The hair is soft waves with a little curl. This summer season does not forget the sunscreen for your hair.” (Maily O’Neil, Mai Salon El Paseo). The styling was slightly individualized with each look.
Heather Larose, singer-songwriter, and Meredith O’Connor, singer, and Anti-bullying activist, took the runway with a performance. They present messages about the ability to express individuality without bullying.
Commatteo states, “My inspiration for all my collections has always stemmed from my life’s journey. This part of my life was reaching the professional, ageless female, who loves fashion, constantly on the run, needing a mix and match pieces to change from day to evening.” The collection brings the ability for self-expression with the ability to combine pieces and use the lines for accentuating. The fall-winter 2017 collection brings self-expression to the forefront with elegance and beauty. See the full collection here.
Carrie Preston joins us on the red carpet at The Emmys® Creative Arts Awards. She is nominated for Outstanding Guest Actress In A Drama Series as Elsbeth Tascioni on The Good Wife. This is her second nomination. She was awarded an Emmys® for her role as Elsbeth Tascioni in 2013.
Elsbeth is her favorite character to date. She says, “She allowed for me to be creative. She is not like anyone else on television, a character that is unexpected. She is the joker in the deck. When I saw her on the page I saw how I could make it work. It was a creative challenge.”
Preston and her husband Michael Emerson, also an actor, are pretty down to earth as a couple. She said, “This is what we do, we are artists, remaining grateful and humble for the opportunities we get in this industry. We don’t see ourselves as any different from others. He is very sweet and supportive. He made me breakfast this morning and brought me flowers.”
Her key to a successful day for her is meditating and walking my dog. This allows for her to envision the day in her mind. She has a rescue poodle mix that is adorable.
Preston’s wore a gown designed by Rani Zakhem, earrings by Maxior and styling by Production Show Room. She is voted best dressed at the Emmys® Creative Arts day 1 by our staff.
The Good WifeEmmys® nominations are Outstanding Guest Actor In A Drama Series, Outstanding Guest Actress In A Drama Series, Outstanding Costumes For A Contemporary Series, and Outstanding Writing For A Drama Series.
Robert Duncan joins us on the red carpet at The Emmys® Creative Arts Awards. He is the composer for The Whispers main title. This is his fourth Emmys® nomination.
Duncan became interested in television themes while taking piano lessons at a young age. He would try to figure out the themes during his practice time. He enjoyed learning music by ear. His ear training leads to figuring out what the chords were for the theme songs of his favorite shows.
His teacher would ask, “Duncan did you practice your lessons?” He would respond, “no, but you can teach me to improvise.” Many of his piano lessons included improvising.
Improvising provides insight into working in the studio when composing music for television shows for Duncan. “The picture is the roadmap,” he says. The process is watching a scene or two from the show. He said, “I work through the score by sorting through what is good and throwing away the rest. I never know what it is going to sound like when starting the music composition. There is a lot of editing.”
Music, he goes on, to explain is the psychological connection for visual media. He looks for that common denominator when creating music for mass audiences. Music can make people feel certain emotions. Musical acupuncture notes and tones help with scoring music for specific scenes, themes, and moments.
He has composed for many series: Buffy The Vampire Slayer, Vanished, and Castle. He is honored for the nomination in this category. It goes back to his childhood and the days of piano practicing and lessons.
Duncan just welcomed a baby 14 days ago. This is his sixth child. He success each day is sleep and a bit of panic to get going for the day. He loves being locked in his studio with Facebook off.
He loves working on set with the crew. The show is fun. It is about quadrupled with nothing in common and often get into trouble. He loves telling a story that this lasting and brings laughter. simmons says, “It is a lot of fun to get behind the camera to create the story.”
Simmons started with still photography, moved to music videos, documentaries, commercials, long-form television, and now multi-camera shows. He said, “the best advice to anyone starting out start with still photography.” His work includes: Richard Prior Hereand Now, Selma, Lord Selma, and The Tracy Morgan Show.
He makes each day successful by not going to work. Simmons said, “It has always been fun. The collaboration with the crew, cast, and team members involved is like one big happy family. They moving towards one goal to entertain people, how it looks, and how the story is told. It is a wonderful opportunity.”
Nicky, Ricky, Dicky, and Dawn awarded one Emmy® for Outstanding Cinematography For A Multi-Camera Series. Congratulations Johnny Simmons on your Emmy.
See all the photos from the two-day event here:
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Gary Kordan and his wife, Justine Ungaro, join us on the red carpet at the Emmy® Creative Arts Awards. Kordan provides production design on Key & Peele on Comedy Central.
Kordan and his wife wear matching colors (black) and leather for their red carpet looks. They are a successful busy creative couple. They manage their busy lives very well. Ungaro is a professional photographer just returning from Lake Tahoe to attend The Emmy Creative Arts. She states, “It is easy for us to match our entire closet is black including the closet itself.” She is excited about the evening events and thrilled for her husband’s nomination.
Kordan started his career working at CBS. He got the positions while attending college for visual arts in New York City. He saw a flyer on a bulletin board at school. It stated that CBS was looking for an intern. He took the flyer because he wanted to be the only one applying. He interviewed and is hired for the Joan Rivers’ Show.
The show needed visuals about two weeks into the internship, Joan Rivers said, “Make the art student intern do that.” That was his first credit in production on television. Kordan states, “Joan Rivers was so supportive. She was someone to look up to and admire. She was there for you. If an up and coming artist needed food, cab fare, or scarf she was right there.” Kordan learned a lot from the experience.
This was 25 years ago. He uses those lessons to help many shows with his creativity. He enjoys the intensity on Key & Peele. Kordan breaks down the set requests, design, get approvals, find locations, and research for each set. There are two sets designed each day totaling 10 designs a week. The team travels all over the LA area to set up the designs and film the series.
His success for every day is wearing black, #wewearblack. He must dress the part for ruffling feathers, being demanding, and self-confident. Kordan states, “I wear black like my role model, Johnny Cash. This is Kordan’s first Emmy nomination.
Key & Peele nominated for 7 Emmys this year. They include: Outstanding Art Direction For Variety or Music Program, Outstanding Writing for a Variety Series, Outstanding hairstylist For Multi-Camera Series or Special, Outstanding Makeup For A Multi-Camera Series or Special (Non-Prosthetic), Outstanding Editing For Variety Programming, Outstanding Production Design For A Variety, Nonfiction, Reality or Reality-Competition Series, Outstanding Supporting Actor in A Comedy Series, and Outstanding Variety Sketch Series.