Bahmardi Haute Couture is a journey of Reveal at Style Fashion Week. New York Fashion Week is starting off with the reminder that it is autumn-winter 2018 with a traditional snow storm. Many years fashion week turns to frozen week. This season a new fashion brand will hit Style Fashion Week runway in New York following Malan Breton.
Bahmardi Haute Couture is a luxury, feminine, and opulent embroidery fashion line. Tuenaz Bahmardi, the creative designer for the label, is taking her journey of womanhood, motherhood, and business as her inspiration. Her training in haute couture comes from childhood memories with her mother in her couture boutique in Mumbai, India.
These moments in her life brought a learning inside details about the fashion industry. She took her training and began sewing and designing for family and friends. Bahmardi, “grew a desire to combine the love and passion for hand and machine embroideries she developed growing up in the East with the sophistication of Western fashion and culture.” This experience brings forward her exquisite feel for fabrics, colors, and details.
Bahmardi unveiling her first collections is floral, fabric, and embroidery work embolden and signify feelings of love, passion, femininity, humility, and strength. This dying art of embroidery is coming to life for Bahmardi. She wants to keep the jobs and traditions of these hard workers alive with the traditional work.
Bahmardi explains her bold fashion message “fashion is less about how you look and more about representing the essence of who you are.”This reveal brings a signature design amidst the excitement and buzz in the city that never sleeps during New York Fashion Week.
Premiere runway February 8 at the notable, swanky Cipriani, at 110 E 42nd St, New York, NY 10017. Tickets available here www.stylefashionweek.com
Use code: kenngrayhome.
Malan Breton opens Style Fashion Week in New York on the USS Intrepid. This is the second chapter, Edelweiss, in a three chapter collection for spring summer 2018. His collection influences are from Chopin, butterflies, nature, and music presented by Kristine W.
The Lament for Icarus, a painting Icarus representing being wrapped in love by Nymphs on his deathbed, is well represented in the collection at New York Fashion Week. Many fabrics and designs create a movement that is enveloping or flows with that dramatic effect.
The fabric prints and the appliques are representative of a beautiful spring day. The fabric print is perfectly designed to create a scene with the sense of a morning breeze with the movement. Mason Grammer looks stunning on the runway in off the shoulder gown. The movement and scenery much like a walk through nature near a creek. The appliques bring an alluring texture and representation of the nature theme. Watch for the collection on the red carpet soon.
Breton is a designer that knows the beauty of a woman’s form. His gowns bring sexiness and confidence to any woman. This season Breton brings suit for his womenswear. The suits add a touch of femininity and keep the woman’s form well represented. His suits incorporate the tailoring that he is known for in his menswear.
The menswear collection inspiration continues with blues found throughout. Blue is a pigment that is the rarest found in nature, the men’s collection draws in the night-time with hints of blues. The romance period from Chopin is clear in the collars on the jacket and dress shirts.
This is a collection for all with a touch of romance from the Chopin era, beautiful natural scenery, and movement, and will wrap the world in love.
Malan Breton, fashion designer, brings a story in three chapters for fall winter 2017. The chapters create a story that flows from New York Fashion Week, to London Fashion Week, and concludes in Los Angeles at Style Fashion Week. The collection brings a complete story from the chapters: Everywhere at the End of Time (New York), Living in the Moment in Fear (London), and Seven Deadly Sins (Los Angels).
The New York chapter is Everywhere at the End of Time. This chaptertakes us to the current times in the world now and brings about empowerment. The empowerment of women and those beingpoorly treated. The entire show from the dancers, to the opening model, Nykhor Paul bring the story to life.
The runway included celebrities models: Kiera Chaplin (Charlie Chaplin’s granddaughter), Frankie Grande, Consuelo Vanderbilt Costin, Dylan Grieco, Mason Grammer, and Janine Tugonon. Each is a part of the weaving of the story about acceptance and hope.
London’s show at Freemasons Hall continues the collections’ story. This chapter is living in the moment of fear and darkness. Taking the color away from you. The loss of color a strong presence on the runway. The opening fabric for this chapter looks similar to a second skin. The music for the runway is Sleepwalk by Santo & Johnny.
Los Angeles story chapter, the Seven Deadly Sins. This runwaybrings the story back to hope, light, and empowerment with the presence of color. The Phoenix in the triplet chapter story.
The collections’ stories are inspired by the 1930s, the loss of hope and death. The stories draw from Charlie Chaplin‘s 1930 films including City Lights and Modern Times. The collections present the story with perfection in fabrics, treatments, performances, and colors.
The fabrics are Asian inspired. The fabrics are organzas, silk Charmeuse, and recycled piettes. The piettes are createdfrom recycled cans. Breton uses a company in Twain that cuts, colors, and treats the metal.
Breton says, “I do my bestwith my designs to protect the environment” This metallic dress moments and texture are extraordinary. Breton states, “the dress movement comes from the way I weighted and draped the dress. I am so grateful it turned out so well.”
The color in this chapter is green (earth and rebirth), gold (prosperity and richness), and deep blue (continuous flow of life). The floral prints bring a beauty and a new beginning to the final chapter of the story.
Breton’s chapters stay true to his aesthetics elegance. The men’s silhouettes are very on point. This collection Breton styled and designed himself. His stylist for several seasons, Montgomery Frazier The Image Guru, said, “we do not put anyone in anything that is ill-fitting. If it is ill-fitted they do not wear it. The textures and fabrics fit Breton’s catch line ‘wherever you go shine.’ The fabrics are rich, opulent, exquisite tailoring, and he is about the fashion. Being here with Breton is so glamorous at Style Fashion Week with the beautiful outdoor setting and jazz music.”
Breton develops his menswear after his own experience. He states, “when I was a ballet dancer in London and on Broadway every time I lifted my arm up when wearing a suit I would lose part of my sleeve. I knew I had to figure out how to cut a suit so I do not lose part of my sleeve. I trained at Turnbull And Asser, the suit makers for the Prince of Wales. He says, “I incorporate the English tradition I learned there with my development for the men’s suits.”
The fashion show stayed true to the designers’ aesthetic while completing the story started in New York. The beauty, tailoring, and signature detailing tell the story of hope, equality, and empowerment. Concluding with the image of renewing and shining wherever you are.
Style Fashion Week presents spring summer 2018 on the USS Intrepid in New York City. The beautiful place is fitting with the Brenner Foundation, a patriotic community of people for the benefit of our veterans and homeless, partnering with Style Fashion Week to raise awareness during fashion week.
Brenner Foundation’s mission is, “To motivate, inspire and transform individuals, corporations and organizations by creating awareness to mobilize support to a national community of patriotic individuals for the benefit of our Veterans and homeless.” (Brenner Foundation). Christine Brenner, a small business owner of Field Hospital and Emergency Management equipment, stays, “the goal is to promote the Brenner Foundation’s mission to motivate, inspire, and transform people to mobilize support.” The ability to partner with Style Fashion Week NY brings this goal to the forefront.
Style Fashion Week brings a strong media presence and exceptional talent to perpetuate the goal. They are a globally recognized fashion events. They have a media reach over 2 billion. Style Fashion Week started the week off with the world-renowned designer, Malan Breton, art, and top entertainment. The ability to combine branding on the red carpet takes the influence beyond the event in New York. Bringing an awareness that is diverse and influential.
The power to bring corporations and organizations together brings a national community of patriotic individuals for the benefit for veterans and homeless. There are various ways to aid with Brenner Foundation. When shopping with Amazon (click here for the link) a percentage of the proceeds going back to the organization. You can donate by clicking here. This organization is a Charitable, 501(c)(3), Nonprofit Organization (Tax Id #82-1738494). You can contact Brenner Foundation about theCare Bag Program by emailing[email protected] . Details about the organization are located here.
Malan Breton, a fashion designer, brings a story in three chapters for fall-winter 2017. The chapters create a story that flows from New York Fashion Week, to London Fashion Week, and concludes in Los Angeles at Style Fashion Week. The collection brings a complete story from the chapters: Everywhere at the End of Time (New York), Living in the Moment in Fear (London), and Seven Deadly Sins (Los Angels).
The New York chapter is Everywhere at the End of Time. This chaptertakes us to the current times in the world now and brings about empowerment. Empowering women and those beingpoorly treated. The entire show from the dancers, to the opening model, Nykhor Paul bring the story to life.
The runway included celebrities models: Kiera Chaplin (Charlie Chaplin’s granddaughter), Frankie Grande, Consuelo Vanderbilt Costin, Dylan Grieco, Mason Grammer, and Janine Tugonon. Each is a part is the weaving of the story about acceptance and hope.
London’s show at Freemasons Hall continues the collections’ story. This chapter is living in the current time of fear and darkness. Taking the color away from you. The loss of color a strong presence on the runway. The opening fabric for this chapter looks like a second skin. The music for the runway is Sleepwalk by Santo & Johnny.
Los Angeles story chapter, the Seven Deadly Sins. This runway brings the story back to hope, light, and empowerment with the use of color. The Phoenix in the triplet chapter story.
The collections’ stories inspiration is the 1930s, the loss of hope and death. The stories draw from Charlie Chaplin‘s 1930 films including City Lights and Modern Times. The collections present the story with perfection in fabrics, treatments, performances, and colors.
The fabrics are Asian inspired. The fabrics are organzas, silk Charmeuse, and recycled piettes. The piettes created from recycled aluminum cans. Breton uses a company in Twain that cuts, colors, and treats the metal.
Breton says, “I do my best to protect the environment when creating my designs.” This metallic dress moments and texture are extraordinary. Breton states, “the dress movement comes from the way I weighted and draped the dress. I am so grateful it turned out so well.”
The color in this chapter is green (earth and rebirth), gold (prosperity and richness), and deep blue (continuous flow of life). The floral prints brings beauty and a new beginning to the final chapter of the story.
Breton’s chapters stay true to his aesthetics elegance. The men’s silhouettes are very on point. This collection Breton styled and designed himself. His stylist for several seasons, Montgomery Frazier The Image Guru, said, “we do not put anyone in anything that is ill-fitting. If it is ill-fitted they do not wear it. The textures and fabrics fit Breton’s catch line ‘wherever you go shine.’ The fabrics are rich, opulent, exquisite tailoring, and he is about fashion. Being here with Breton is so glamorous at Style Fashion Week with the beautiful outdoor setting and jazz music.”
Breton develops his menswear after his own experience. He states, “when I was a ballet dancer in London and on Broadway every time I lifted my arm up when wearing a suit I would lose part of my sleeve. I knew I had to figure out how to cut a suit so I do not lose part of my sleeve. I trained at Turnbull And Asser, the suit makers for the Prince of Wales. He says, “I incorporate the English traditions in my designs. I learned there with my development for the men’s suits.”
The fashion show stayed true to the designers’ aesthetic while completing the story started in New York. The beauty, tailoring, and signature detailing tell the story of hope, equality, and empowerment. Concluding with the image of renewing and shining wherever you are.