La Jolla Fashion Film Festival is a great place to enjoy a wonderful weekend of film and fashion. The festival art, film, and fashion celebration.
There were great reunions, meeting new people and filmmakers. It was so good seeing Lorelei Shellist and Jo-Ann Dean again. Last year the three of us celebrated the world premiere of Skin On Skin.
The red carpet proved is fun and very fashionable. There is a little kissing, selfies, and photobombs. We enjoyed meeting with Grace Wethor (Vogue’s It Girl), Thomas Desoto (photographer, artist, and cinematographer), and many film directors (see their interviews here) showing at the festival.
The films present exceptional art and fashion.
The International Fashion Film recipient films are:
Best Picture The Magic Kingdom
Best Director Joshua Brandao and Nicolai Kornum Film Robot
Best Fashion Pearl
Best Actor Kamy Bruder Film Echos
Best Actress Cathrine Roberts Pearl
Best Art Direction The Storm (Badgley Mischka)
Best Editing Elemental Beauty
Best Visual Effects Infinite Path
Best Creative Concept Fallen
Best Music Monk By The Sea
Best Costume Design Casamorati
Best Jewelry Habana 3 AM
Best Sound Design Think Outside The Box
Best Cinematography Statues of Gods
Best Accessories Timeless Beauty
Best Narration Pearls
Best Message Soma Helmi I am Woman
Best Makeup The Reflection
Best Hairstyling Casamorati
The gown for Saturday evening festivities created by Daniel Chimowitz at Nevow Art. Artist Chimowitz creates walking canvases of painted textiles and upcycled clothing. He is a mix medium artist, an American fashion and textile designer.
His intent is to bring art from galleries and museums to the street, as a form of Walking Art. Chimowitz is known for his painted prints and photography. This was a perfect look for this fashion film festival.
The styling, steam punk. This complimented the exceptional art on the gown. Amazon and Michaels where many of the items purchased used to create accessories for this specific look.
This is event closes with a great after party at The Lot with dancing eating, drinking, and reminiscing about the exceptional films.
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The Visit is a day in the time of a visit with a mother (June Squibb) and son (Sean Maher). The story takes a specific moment in time during the son’s life and develops a sequence of events that change lives. The son must face the consequences of the events.
Schwedler’s attention to details in the film completes the story. She states, “every little detail, in the lighting, the wardrobe design, and every odd thing matters.” The juxtaposition of this story develops well with the attention to details.
Schwedler develops the story from a conversation she had with her father concerning her aunt. Her aunt experiences loss of most family and friends. Coping with the deep grief and loss her aunt develops elaborate stories about those she lost. Her techniques in film development here allow the audience to experience the emotions in the story.
The casting for the short film was “serendipitous,” she says. She approaches June Squibb, Oscar-nominated actress, at an award dinner in Los Angeles with a flash drive of the script. Sean Maher, Ben in the short film, heard about the project and appreciates June Squibb’s work. His agent contacted Schwedle in regards to working on the project. The casting provides a twist much like the film. Check local film festival events for screening.
La Jolla Fashion Film Festival is a top fashion film festival. This year’s festival brings fabulous fashion, exceptional films, and a beautiful location in La Jolla California. Fred Sweet and Linda Comer present a wonderful festival.
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La Jolla Fashion Film Festival (LJFFF) the world’s largest gathering of fashion filmmakers will present at LJFFF July 21-22, 2017. This is once again the market maker for distribution deals, director representation, and fashion film production houses. Hundreds of fashion filmmakers from around the world will be in attendance, packing UC San Diego’s Mandeville Auditorium to be enthralled by the top 1% of fashion films produced worldwide at the upcoming 8th year of LJFFF.
La Jolla is a beautiful place for this world-class. The evenings will include fashion films, connecting with creators, and after parties at The Lott. Saturday morning The Lott will host a marathon presenting Antonio Contreras Aviance’s Max Vogue™ series.
Saturday evening International Fashion Film Awards (IFFA) will present the top fashion filmmakers with recognition for the top international fashion films. Fashion’s thought leaders and influencers have come together from all over the world to allow, support, and recognize the creative professionals who have produced the best in global fashion film production. Nominations include, but not limited to:
• Best Picture
• Best Documentary
• Best Director
• Best Editor
• Best Cinematography
• Best Actor in a Leading Role
• Best Actress in a Leading Role
The Ethical Fashion Initiative (EFI) http://ethicalfashioninitiative.org/ is the official cause partner for the LJFFF. The EFI connects artisans from the developing world to the international value chain of fashion. In doing so, the Ethical Fashion Initiative harnesses fashion as a vehicle for development. One of the UN’s most effective programs!
This year we are partnering with Nevow fashion design. Daniel Chimowitz, Nevow’s designer, designs Saturday evening the red carpet gown. Artist Chimowitz creates walking canvases of painted textiles and upcycled clothing. He is a mix medium artist, an American Fashion and Textile Designer. His intent is to bring art from Galleries and Museums to the street, as a form of Walking Art. Chimowitz is known for his painted prints and photography. This will be a perfect look for this fashion film festival.
4Chion Lifestyle will bring you the best from LJFFF, and IFFA. We give full coverage of the VIP moments and red carpet coverage. You can connect with 4Chion Lifestyle on Twitter, Facebook, Instagram, Google+, Pinterest, Tumblr, and Flickr for full coverage of the event. The official hashtag is #4ChionStyle we will also connect to #LJFFF.
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The Beguiled is one of the most anticipated films at Cannes Film Festival. Director, Sofia Coppola, brings the woman’s point of view and how it was for these women during this time period. The original film was from the man’s point of view. This point of view brings a new dynamic to the melodramatic remake.
Film synopsis At a girls’ school in Virginia during the Civil War, where the young women are sheltered from the outside world, a wounded Union soldier is taken in. Soon, the house is taken over with sexual tension, rivalries, and an unexpected turn of events.
This film is a remake of (The Beguiled (1971). Both films based on the novel The Beguiledby Thomas Cullinan. The first film brings the male perspective of a wounded Union soldier. Coppola brings the story back with the perspective of the women in the boarding school.
The revisiting of The Beguiled creates its own dynamics. Coppola says, “I never tried to remake the film, go back and tell my story. I wanted to forget that and to imagine how I would make this film.” She brings the women’s stories and perspective to the forefront.
Coppola discusses the film being a feminist film, she states, “It is up to the audience to determine how they want to take it. I put my thoughts into film and you can determine how it affects you. I was making the film from the female point of view. The core of the story is the power struggle between the male and female.” The story brings this struggle to the center of the film.
Living in a boarding school atmosphere where they are all women who are functioning well, until the new dynamic, Farrell enters the school. Kidman states about Farrell’s character, “I think he comes in an ruins everything. We were fine. We only could not procreate. Good riddance to him.” The dynamic changes for each person in the film.
Kirsten Dunst, plays Edwina Dabney in the film, says “all these people pent up together no matter male, female, or a mixture. There will always be something that comes out it is a survivalist technique. Colin just happens to be what all our aggression, energy, and emotions corseted up, let’s say. They get unleashed because this new dynamic comes in.” This does bring a change for the girls attending the boarding school.
Nicole Kidman recalls Martha Farnsworth, her character in the film, “is very maternal. Kidman states, “She is there to protect these girls in a very treacherous difficult time. Her motivation is to protect them, to guide them, to bring them, so when the war ends they are capable.” Farrell’s character makes it difficult for the continued protection.
Colin Farrell, John McBurney character in the film, states “It has been a journeyman to get here. Many miles of roads and many corsets. It was an amazing experience shooting this film. Coppola sets a particular mood, one that is of comfort, of ease, trust, and an environment that allows you as an actor to explore and play. It was my favorite experience and shoot. Sophia is a creative beast of an engine with tenderness, elegance, and a gentility.” Looking forward to this film? It will be in theaters June 20, 2017.
Just a few fun notes from the press conference Kidman and Coppola often swiped their hair from the left side of their faces at the same time. Kidman discusses working through mistakes, “I try to focus on the positive. Sometimes you fail and sometimes you succeed. That is the journey. You just get back up. . . You fall over you brush off your knees and get back up. It is a really really hard thing to do. You cry and you feel. It is not saying don’t feel, but experience it navigates and get move through it. . . I’ll learn from everything.”
This 70th year will continue to evolve film worldwide. Stay tuned here for coverage of events from fashion, red carpet, actresses/actors, and films.
Cannes Film Festival 2017 ends with just as much grandeur as the last 70 years. The thousands of films, masterclasses, and fashion on the red carpet represents the best in film and arts.
The juries enjoyed film after film. The jury members include:
Feature Films Jury
PedroALMODÓVAR – President
(Director, Screenwriter, Producer – Spain)
The closing ceremonies ended the festival with honoring the top films with a presentation. Nicole Kidman in regards to her honor, states (video from Nashville Tennessee) “I feel blessed to be able to work in this profession. The 70th celebration was incredible; it was the celebration of cinema and stories.” This season Cannes Film Festival continues to draw positive attention to the top world-class film festival. Looking forward to 70 more years at Cannes.
BEST PERFORMANCE BY AN ACTOR Joaquin PHOENIX in YOU WERE NEVER REALLY HERE by Lynne RAMSAY
BEST PERFORMANCE BY AN ACTRESS
Diane KRUGER in AUS DEM NICHTS (In The Fade) by Fatih AKIN
JURY PRIZE
NELYUBOV (Loveless) by Andrey ZVYAGINTSEV
BEST SCREENPLAY EX-ÆQUO
Yorgos LANTHIMOS and Efthimis FILIPPOU
for THE KILLING OF A SACRED DEER
Lynne RAMSAY
for YOU WERE NEVER REALLY HERE
SHORT FILMS
PALME D’OR
XIAO CHENG ER YUE (A Gentle Night) by QIU Yang
MENTION DISTINCTION BY THE JURY
KATTO (The Ceiling) by Teppo AIRAKSINEN
CAMÉRA D’OR
“UN CERTAIN REGARD” PRIZE
LERD (UN HOMME INTÈGRE – A MAN OF INTEGRITY)
by Mohammad Rasoulof
PRIZE FOR BEST ACTRESS
JASMINE TRINCA for FORTUNATA by Sergio Castellitto
PRIZE FOR THE BEST POETIC NARRATIVE
BARBARA de Mathieu Amalric
PRIZE FOR BEST DIRECTION
Taylor Sheridan for WIND RIVER
JURY PRIZE
LAS HIJAS DE ABRIL (APRIL’S DAUGHTER) by Michel Franco
JEUNE FEMME (Montparnasse Bienvenüe) by Léonor SERRAILLE
presented at UN CERTAIN REGARD
The CST Jury awarded the VULCAIN PRIZE FOR ARTIST-TECHNICIAN to Josefin ASBERG The Cinéfondation and Short Films
First Prize
PAUL EST LÀ (Paul Is Here )
directed by Valentina MAUREL
INSAS, Belgium
Second Prize
HEYVAN (AniMal )
directed by Bahram & Bahman ARK
Iranian National School of Cinema, Iran Third Prize
DEUX ÉGARÉS SONT MORTS (Two Youths Died)
directed by Tommaso USBERTI
La Fémis, France Awards
€15,000 grant for the First Prize, €11,250 for the Second and €7,500 for the Third.
The winner of the First Prize is also guaranteed the presentation of his/her first feature film at the Festival de Cannes.
Rerun in Paris
The awarded films will be screen at Cinéma du Panthéon on May 30th at 7 p.m.
All the films of the Cinéfondation selection will screen at the Cinémathèque Française on May 31st & June 1st.