New York Fashion Week brings the best in ready-wear, glamour, and diversity to the spring summer 2018 runway. The designers are showing all over the beautiful city from New York Fashion Week (NYFWO). The season brings returning trends and exciting new ones.
Floral carry over from the winter trends. Many designers like Tadashi Shoji present appliquéd floral, while Christian Siriano presents a beautiful floral print in his collection. There is a variety of floral this season winter trend was roses. The trend on sleeves continues with a flair. The straps on many looks on the runway have ties or embellishments added to them. The sleeve trends include adding texture to the sleeves.
The spring-summer collections bring a play on angles, geometric shapes, pleats, and ruffles. This brings a touch of femininity, texture, shape, volume, and movement to spring summer fashion.
Desigual presented a runway that was more drama, acting, and dancing. Watching the show it was easy to forget this was a fashion show. The runway look and styling very ethereal, bold colors, with a jungle feel. The collection uses geometric shapes trend. This is the first show under creative director Jean-Paul Goude. The runway collection is full of multicultural diversity and fun.
Embracing diversity at the runway shows at New York Fashion Week. The runways filled with multicultural, people of all ages, and body image embracing. Ashley Graham, body activist, presents a runway celebrating all women. You can follow her conversation at #BeautyBeyondSize.
New York Fashion Week is fashion everywhere. The fashion and trends will bring great insight for your personal styling. The conversation and influence continue through Wednesday.
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Working together with the directors, crew while keeping the audience and contestants in mind they develop a set that provides the sensory experience.
The anxiousness, nerves, and competition felt in the set design. His focus with the set design is taking the story and style of the environment to experience. This draws the audience, crew, and more into the full feeling.
Connelly’s background provides him with the visual aesthetics on stage to convey the feelings, beauty, and functionality. His parents were architect and art teacher. He participated in theater in High School and graduated from college with a fine art degree.
He faces new challenges with every new season on the set. He sees behavior is the result of environment plus personality. He sees the artists’ personality journeying through the hallways and The Voice brand as the environment. There are real stories with each artist. The set creates the feelings and storytelling. This is how he focuses the set design each season.
The new set takes a team effort, without changing the spinning chairs. He is grateful for the team he is working with on the show. He has served on the Peer Group at the Television Academy since 2008 and is on the Academy Governor’s Board. His talent and insight to aesthetics bring this Emmy winner to the Creative Arts Awards again.
The Voice took home 2 Emmys at The Emmys® for Outstanding Lighting Design Lighting Direction For a Variety Series and Outstanding Reality Competition Program.
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Seth Green, actor, and Matthew Senreich created this comedy hit. The series uses action figures and incorporates pop culture parodies. The story draws in audiences of all ages by using the past and present pop culture references.
The team enjoys working together on the series-together. The ability to work with such a creative topic that draws in from pop culture makes this fun instead of work. The work continues to grow and improve each season. Thanks to the talent on the show and the many actors and actresses that take part.
This is the longest running series for Adult Swim on Cartoon Network. The team works hard to keep the stories creative and not become pigeon-holed. They said each day is successful with the crew because they fed off each other’s positive energy and uniqueness.
Robot Chicken took home 1 Emmy at The Creative Arts for Outstanding Individual Achievement in Animation.
Photo credit Raymond L Forchion Jr.
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Honee Persona presents fall winter 2017 fashion collection at Style Fashion Week Los Angeles. This collection is about identity. We get to choose who we are on the inside at any moment and create our fashion on that choice.
The collection looks at the layers of being comfortable in the skin we are in. “Since the beginning of time, we have made choices. Fashion is also a choice,” states Persona. She is a graduate of the Art Institute of California. This collection is Asian fusion with Kabuki styling. She created rope hair extensions weaved in the hair. This collection awarded best in hair and makeup at New York Fashion Week.
Persona brings an industrial design background to her runway collection. She incorporates this in her fashion. The material used for this collection are unconventional. She uses plastic chiffon. The material made from recycled plastic and turned into chiffon. She combines this with metals. The two unconventional materials create sculptures in the collection.
The collection is about identity and how deeply we express ourselves. The layers we choose to wear describes who we are at the moment. The menswear is a take on a super hero, inside is outside. The menswear is masculine and strong. We have to ask ourselves how do we express ourselves in the skin we are in.
Thomas Wylde brings rock and rolls down the runway at Style Fashion Week. This collection brings the see here and buy now concept to Los Angeles. The clothing is beautiful, detailed, and perfect for every glamorous woman day to evening.
The competition fast fashion brings the runway concepts and provides them to customers before the next season. Tom Ford recently changed tried the see here and buy now a business fashion model. He is returning to New York Fashion Week (NYFW) for SS18 collection.
Thomas Wylde’s collection is beautiful with an edgy with the rock and roll vibe. The inspiration for the collection is the hickabana Japanese death flower. This is a flower often found at the cemetery in Japan. The fabric creation of the collection is all hand drawn in-house. The life and death intertwine in the collection.
This collection takes a woman from day to evening for any occasion. The collection introduces denim for Thomas Wylde. This section of the collections has the sweet rabbit and “MOTHERFUCKER” printed on these pieces. The material details in the piece worn by the models. The signature lining with the branding. Each piece is complete with purses and shoes designed by Jene Park, creative director at Thomas Wylde.
Park philosophy theory that, “What can you really offer different your clients that is unique and different? The materials, the fabrics and the trims are luxurious. I use stretch fabric that is for the signature lining. Everyone should feel comfortable in their clothing.” Her passion and energy are seen in each piece created for women of all ages and sizes.
Park’s dream was to work in fashion. She is a first-generation American. She attended FIDM school in Los Angeles. She is a mentor for the school. She went to Paris on a scholarship. While in Paris she gained a deep appreciation for creative fashion. She returned to the US and worked BCBG working with Max Azaria. She has completed 37 collections for Thomas Wylde.
This collection brings the traditional rock and roll branding with leather, denim, and beautiful soft evening wear. It continues with luxurious fabrics, signature prints and lining, and bold imagery down the runway.
La Jolla Fashion Film Festival is a great place to enjoy a wonderful weekend of film and fashion. The festival art, film, and fashion celebration.
There were great reunions, meeting new people and filmmakers. It was so good seeing Lorelei Shellist and Jo-Ann Dean again. Last year the three of us celebrated the world premiere of Skin On Skin.
The red carpet proved is fun and very fashionable. There is a little kissing, selfies, and photobombs. We enjoyed meeting with Grace Wethor (Vogue’s It Girl), Thomas Desoto (photographer, artist, and cinematographer), and many film directors (see their interviews here) showing at the festival.
The films present exceptional art and fashion.
The International Fashion Film recipient films are:
Best Picture The Magic Kingdom
Best Director Joshua Brandao and Nicolai Kornum Film Robot
Best Fashion Pearl
Best Actor Kamy Bruder Film Echos
Best Actress Cathrine Roberts Pearl
Best Art Direction The Storm (Badgley Mischka)
Best Editing Elemental Beauty
Best Visual Effects Infinite Path
Best Creative Concept Fallen
Best Music Monk By The Sea
Best Costume Design Casamorati
Best Jewelry Habana 3 AM
Best Sound Design Think Outside The Box
Best Cinematography Statues of Gods
Best Accessories Timeless Beauty
Best Narration Pearls
Best Message Soma Helmi I am Woman
Best Makeup The Reflection
Best Hairstyling Casamorati
The gown for Saturday evening festivities created by Daniel Chimowitz at Nevow Art. Artist Chimowitz creates walking canvases of painted textiles and upcycled clothing. He is a mix medium artist, an American fashion and textile designer.
His intent is to bring art from galleries and museums to the street, as a form of Walking Art. Chimowitz is known for his painted prints and photography. This was a perfect look for this fashion film festival.
The styling, steam punk. This complimented the exceptional art on the gown. Amazon and Michaels where many of the items purchased used to create accessories for this specific look.
This is event closes with a great after party at The Lot with dancing eating, drinking, and reminiscing about the exceptional films.
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Malan Breton, a fashion designer, brings a story in three chapters for fall-winter 2017. The chapters create a story that flows from New York Fashion Week, to London Fashion Week, and concludes in Los Angeles at Style Fashion Week. The collection brings a complete story from the chapters: Everywhere at the End of Time (New York), Living in the Moment in Fear (London), and Seven Deadly Sins (Los Angels).
The New York chapter is Everywhere at the End of Time. This chaptertakes us to the current times in the world now and brings about empowerment. Empowering women and those beingpoorly treated. The entire show from the dancers, to the opening model, Nykhor Paul bring the story to life.
The runway included celebrities models: Kiera Chaplin (Charlie Chaplin’s granddaughter), Frankie Grande, Consuelo Vanderbilt Costin, Dylan Grieco, Mason Grammer, and Janine Tugonon. Each is a part is the weaving of the story about acceptance and hope.
London’s show at Freemasons Hall continues the collections’ story. This chapter is living in the current time of fear and darkness. Taking the color away from you. The loss of color a strong presence on the runway. The opening fabric for this chapter looks like a second skin. The music for the runway is Sleepwalk by Santo & Johnny.
Los Angeles story chapter, the Seven Deadly Sins. This runway brings the story back to hope, light, and empowerment with the use of color. The Phoenix in the triplet chapter story.
The collections’ stories inspiration is the 1930s, the loss of hope and death. The stories draw from Charlie Chaplin‘s 1930 films including City Lights and Modern Times. The collections present the story with perfection in fabrics, treatments, performances, and colors.
The fabrics are Asian inspired. The fabrics are organzas, silk Charmeuse, and recycled piettes. The piettes created from recycled aluminum cans. Breton uses a company in Twain that cuts, colors, and treats the metal.
Breton says, “I do my best to protect the environment when creating my designs.” This metallic dress moments and texture are extraordinary. Breton states, “the dress movement comes from the way I weighted and draped the dress. I am so grateful it turned out so well.”
The color in this chapter is green (earth and rebirth), gold (prosperity and richness), and deep blue (continuous flow of life). The floral prints brings beauty and a new beginning to the final chapter of the story.
Breton’s chapters stay true to his aesthetics elegance. The men’s silhouettes are very on point. This collection Breton styled and designed himself. His stylist for several seasons, Montgomery Frazier The Image Guru, said, “we do not put anyone in anything that is ill-fitting. If it is ill-fitted they do not wear it. The textures and fabrics fit Breton’s catch line ‘wherever you go shine.’ The fabrics are rich, opulent, exquisite tailoring, and he is about fashion. Being here with Breton is so glamorous at Style Fashion Week with the beautiful outdoor setting and jazz music.”
Breton develops his menswear after his own experience. He states, “when I was a ballet dancer in London and on Broadway every time I lifted my arm up when wearing a suit I would lose part of my sleeve. I knew I had to figure out how to cut a suit so I do not lose part of my sleeve. I trained at Turnbull And Asser, the suit makers for the Prince of Wales. He says, “I incorporate the English traditions in my designs. I learned there with my development for the men’s suits.”
The fashion show stayed true to the designers’ aesthetic while completing the story started in New York. The beauty, tailoring, and signature detailing tell the story of hope, equality, and empowerment. Concluding with the image of renewing and shining wherever you are.
La Jolla Fashion Film Festival is a top fashion film festival. This year’s festival brings fabulous fashion, exceptional films, and a beautiful location in La Jolla California. Fred Sweet and Linda Comer present a wonderful festival.
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