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By Definition In The Wilderness a short fashion film presented at La Jolla Fashion Film Festival. The film brings a connectivity to the world of fashion with a group of friends in the Coachella Valley desert region.
By Definition In The Wilderness Photo Credit LJIFFF
The friends become separated due to a desert storm. They have to overcome obstacles and find their way back to each other. Mathew Koppin, the film’s director, and producer states, “This film captures the edge of the independent spirit. Each person becomes lost in a desert storm.” There is a connectivity these friends’ share that drives them to reconnect in the end. The active urban style presents a brand meant that is perfect for daily wear.
By Definition, the clothing brand represented in the film, the fashion lifestyle brand’s mission is designing and creating an eco-friendly fashion line. The clothing line is contemporary with a classic feel.
By Definition In The Wilderness LJFFF Photo Credit Raymond L Forchion Jr.
Kristen, film costuming and brand partner, says, “we want to teach people why recycling clothing is important. Our clothing production provides job stability contributing to families and the community. We give 5% of all sales to By Definition Foundation. ” This foundation supports the planet by funding programs, individuals, and entities that work to improve the earth.
This fashion brand is providing connectivity for consumers to the fashion they buy. They connectivity with awareness to the production, eco-friendly inks, the value in recycling clothing, and care for our clothing.
The friends in the film, as well as the clothing they are wearing, have a strong connectivity to the world around them.
Film nominated for Best Editing and Cinematography.
Robots, World Premiere at La Jolla Fashion Film Festival, gives us insight to their award-winning film. This film awarded Best Directors for Josh Brandåo and Nicolai Kornum. This film provides an insight into the blurred world of technology and human emotions that are fluid between humans and droids.
How does this film connect to fashion?
“Robots” is an editorial style fashion film, which involves 6 primary designers, we invited them to take part in the project. The film uses fashion items creating the universe. This gives it a special aesthetic look, i.e. using close-ups of fashion items as doorways or buildings etc. We incorporate fashion with makeup and body painting for the characters’ look and use fashion accessories as props and plot points. This unique world creates the background for our story taking a critical look at our relationship with modern technology: smartphones and social media.
How does location play into the subconscious side of the human affections?
It might not play a big part in life, locations seem to disappear around us when our eyes become distracted and affected by an object or subject. Using film language, however, there is an option to create places and surroundings to build the atmosphere and mood of the characters to convey their feelings. This develops a subconscious level to an audience, which opens up many possibilities.
Robots Crew La Jolla Fashion Film Festival Red Carpet Photo Credit Raymond L Forchion Jr.
What is the one thing you do each day to make it successful?
Drink coffee in the morning.
What is your background in film and direction?
We have together made several fashion films over the last 6 years that have won several awards at festivals. We develop, produce, and finish the projects together from our photographic studio based in London.
Josh Brandao has a Master’s Degree in Fashion Photography from London College of Fashion and a degree in Moving Image and Performance Design from the Central Saint Martins College of Art and Design. Nicolai Kornum worked for 8 years as a First Assistant Director in Feature Films, Commercials, and TV-Drama and trained at the European Film College in Directing and Editing.
When creating this film what was the advantage of being a short film?
Most of the fashion films we create are usually editorial fashion films showcasing several designers in the same way as a magazine editorial and are not an advertising for one specific brand. This means we have greater creative freedom but the budgets are lower, which makes short films ideal.
The short film format fits well for our stories and ideas, and is perfect for online distribution and showcasing at international festivals at this stage in our carriers.
This film takes on a message outside of the actual robot being the robot in the film. How was this juxtaposition developed?
We think it’s interesting how today we have become so attached to the great technology. We have the available in the palm of our hands that we seem more and more living inside the world of our smartphones and computers, perhaps neglecting what’s around us too. Of course, technology is important and has opened up a whole new world of possibilities and interactions.
In Robots, we tried to blur the lines between the humans and machines, playing with inverting the roles, both in the sense of making humans more like robots and giving actual robots human emotions.
What are the other locations is this film will be screening?
The La Jolla Fashion Film Festival in San Diego, California is Robots world premiere. From there we will be screening the film in the International Fashion Film Festival circuit. Our next stop is the Miami Fashion Film Festival.
This film uses fashion to create the sensory experience of reality and machines being difficult to differentiate between. This creates a conversation about this reality as a real possibility in the near future with the complex development of machines.
Robots Directors La Jolla Fashion Film Festival Red Carpet Photo Credit Raymond L Forchion Jr.
A side note, we enjoyed the directors fun stylish suits worn on the red carpet.
La Jolla Fashion Film Festival is a top fashion film festival. This year’s festival brings fabulous fashion, exceptional films, and a beautiful location in La Jolla California. Fred Sweet and Linda Comer present a wonderful festival.
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Grace Wethor Red Carpet Photo Credit Raymond L Forchion Jr.
Wethor takes each day doing what she loves. She states, “2 weeks after my diagnosis I decided that modeling and acting are what I am doing with my life. I moved to Los Angeles and went full force. Before I knew it I was signed with an agent and manager.” She embraced the 8% living for 6 months with this diagnosis to the maximum. This decision and diagnosis took place two years ago. She focuses her goals, life, and mind on living each day.
Grace Wethor Fashion Runway Coverage Photo Credit Raymond L Forchion Jr.
Embracing each day and taking charge of her health she has accomplished:
Teen Vogue® It Girl provides her a place where she feels nostalgic. Attending Catholic school in Minnesota Teen Vogue® provided her a look that was more inspiring than her school uniform. Becoming an It Girl was a dream come true.
Grace Wethor Vogue® It Girl, Tammy Forchion Photo Credit Raymond L Forchion Jr.
These opportunities give Wethor a place to share her story. She embraces the idea that we are all living good days, bad days, and hard days. Wethor says, “I am three different people. There is sick Grace, there is normal teenage Grace, and model/actress Grace. I have found the perfect balance that works.” This balance is giving Wethor a life that is full and touching.
She wants everyone to know that no matter your situation you can live life to the fullest. She has been able to share her story of life living with a brain tumor, sharing her talents, and joining forces with Pediatric Brain Tumor Foundation.
Grace Wethor Vogue Red Carpet Photo Credit Raymond L Forchion Jr.
Wethor took the ability to live life to the fullest by asking herself what do I want from life. She has made those dreams come true through continued medical care, headaches, and other side effects. Wethor forges through all this with strength, determination, and a wonderful mother who listens to her dreams. Wethor will keep embracing her dreams and making a positive impact in the world.
Allegoria directed by Ines von Bonhorst, she is a director, producer, and video artist. Her work includes documentaries, long and short films, experimental films and video art installations, worldwide. Yuri Pirondi work reflects a relationship between visual art and cinematic experience. He Follows a multidisciplinary and transversal artistic direction in which he collaborates with different artists. This couple’s talents combine creatingAllegoria, a short fashion film, screened at La Jolla Fashion Film Festival.
Allegoria Synopsis: A fashion short film based on the subconscious side of the human affections.
The film is about the subconscious side of the human affections. How does this film connect to fashion?
Usually, fashion is all about our external shell, how we appear, how we look to other people. Our idea instead is to take out our hidden side and show it in a shape of cinematic emotion, where our main character is fighting against her doppelgänger.
As the movie developed, also the dress does. From a tight look that constraint the actress in the beginning of the movie, slowly our character reaches her freedom, as well as the clothes, became light and soft.
The ideas behind the look of our actress are from our great stylist Daniela Corcio, also the designer of IKONOSTAS, the dresses used in the video.
How does location play into the subconscious side of the human affections?
The location in our video is a middle-age castle based in North Italy. By itself a castle is like a fort, this metaphor; the castle represents the mood of our main character. When she finally manages to be herself, she runs away from the castle, in other terms the location work as a main element in the movie.
What is the one thing you do each day to make it successful?
Keep creating. Keep doing movies! Working hard every day, and always have a new project in mind to develop it!
What is your background in film and direction?
As a couple, we have 2 different backgrounds. Ines has a sharp eye on working with actors and editing, developed during the years. Yuri instead has a background more focus on the photography and mise-en-scene. We are definitely complementary in our job!
What is your insight into women in film creation, with 7.5% being directed by women (Women In Film)?
As the woman co-director, I can describe my own feelings and thoughts and try to trespass those same moods to film and acting.
The majority of women pass from different period and moods and I think there is no one better than other women to speak about that same feeling.
The statistics are low but I have an optimist view where the numbers are getting higher, at the moment there are much more women studying film and I think the statistics will change in a near future.
What is one way that we can support women created films as a participant in films?
I think the best way is to work hard every day and try to create your own identity, as a woman and as an individual. In my opinion, anyone that insists and works hard for what they want, in one way or another they end up reaching their goals. Unfortunately as a woman, a majority of the times, you have to do it even harder. The way to support women in films is to include more female characters and try to understand their point of views.
When creating this film what was the advantage of being a short film?
The main advantages to making a short are the low costs of production and the short time to make the movie, so you can have a product in your hand in few days of work. We would love to work on a feature movie instead, where you can have plenty of time to develop story and characters.
Subconscious and surrealism is a theme through out your films how did you mix this with Allegoria?
Yes, we usually work with surrealist images, in the case of Allegoria we worked on the idea of doppelgänger effect, where our main character talk with her double to discover her persona and finally be free from her self-judgment.
What are other locations this film will be screening?
The movie aside La Jolla Fashion Film Festival has been shown at the Canadian Fashion Film Festival in Calgary, and also is trying to participate at Milano Fashion Film Festival, Istanbul, Brussels, London, and Porto.
The film takes fashion full circle with the concept of what is real and not real, similar to the Allegory of The Cave by Plato.
This 10-hour series took 10 years from a conception during film school to airing on Netflix. The story needs time to be told correctly and accurately. The couple moved from New York to Wisconsin for two years. This provided a time for them to research, gain trust about telling the story, and immerse in the story.
They took the story from criminal justice, a victim point of view, to the criminal point of view. The ability for the subjects to trust the duo to share their story accurately made the documentary successful. This documentary is a social justice story instead of criminal justice.
They share the documentary providing a voice, engagement, and conversation that is global. There is an online petition sent to President Obama requesting Steven Avery be exonerated.
They discuss that the documentary is not to solve the crime but to tell the story of Steve Avery, his family, and the community. They said, “we welcome anyone to research the story. It is all public record.”
Emmy’s Creative Arts 2016 Red Carpet
Ricciardi states, “It took some time to get through the noise after the series aired, we are focused on the goal.” They will be returning with season two. The story continues to have questions.
Demos states, “The story continues to evolve. We continue to follow the events taking place. It is not over.” They are working on a project from HuffPost article, America’s Most Admired Lawbreaker.
Ricciardi and Demos work together on filming, concept, production, editing, and a partnership to air the series. The team has grown and they are deeply grateful for them.
The success each day they said, “came from the story and the focus to tell the facts.” Ricciardi states, “The lesson best learned is that we need to have more empathy and dignity towards each other.”
69th Emmys® announce this year’s nominees. It is a year filled with a huge expansion in television. “It’s been a record-breaking year for television, continuing its explosive growth,” said Washington. “The Emmy® Awards competition experienced a 15 percent increase in submissions for this year’s initial nomination round of online voting.”
This year there are a few surprises, snubs, and record-breaking nominations. The streaming channels and originals shows are demonstrating strong talent against traditional televisions. HBO tops the nominations with 111 nominations. Westworld, first season on HBO, has 22 nominations. Netflix has a total of 91 nominations.
Some of the unexpected nominations include Saturday Night Live, receiving 22 nominations, including 9 nominations for acting. Big Little Lies (HBO series after a bidding war with Netflix)with Reese Witherspoon 16 nominations. Best Drama Series 5 of the 7 nominations are first-timers: Better Call Saul, The Crown, The Handmaid’s Tale, House of Cards, Stranger Things, and This Is Us.
A few other surprises are:
Best Drama Actress Milo Ventimiglia, This Is Us
Best Drama Supporting Actress Ann Dowd and Samira Wiley, The Handmaid’s Tale
Best Drama Supporting Actor David Harbour, Stranger Things
The year did have is snubs. Games of Thrones, receiving 38 Emmys® in the past, did not qualify for the nominations this season. Lena Dunham did not receive a nomination for her last year on Girls.
Congrats to just a few of our favorite shows:
RuPaul Emmys® Creative Arts Red Carpet
RuPaul’s Drag Race 8 nominations
Heidi Klum and Tim Gunn Emmys® Creative Arts 2016 Red Carpet
Project Runway 5 nominations
Carrie Ann Inaba Emmys® Creative Arts 2016 Red Carpet
La Jolla Fashion Film Festival (LJFFF) the world’s largest gathering of fashion filmmakers will present at LJFFF July 21-22, 2017. This is once again the market maker for distribution deals, director representation, and fashion film production houses. Hundreds of fashion filmmakers from around the world will be in attendance, packing UC San Diego’s Mandeville Auditorium to be enthralled by the top 1% of fashion films produced worldwide at the upcoming 8th year of LJFFF.
La Jolla is a beautiful place for this world-class. The evenings will include fashion films, connecting with creators, and after parties at The Lott. Saturday morning The Lott will host a marathon presenting Antonio Contreras Aviance’s Max Vogue™ series.
Saturday evening International Fashion Film Awards (IFFA) will present the top fashion filmmakers with recognition for the top international fashion films. Fashion’s thought leaders and influencers have come together from all over the world to allow, support, and recognize the creative professionals who have produced the best in global fashion film production. Nominations include, but not limited to:
• Best Picture
• Best Documentary
• Best Director
• Best Editor
• Best Cinematography
• Best Actor in a Leading Role
• Best Actress in a Leading Role
The Ethical Fashion Initiative (EFI) http://ethicalfashioninitiative.org/ is the official cause partner for the LJFFF. The EFI connects artisans from the developing world to the international value chain of fashion. In doing so, the Ethical Fashion Initiative harnesses fashion as a vehicle for development. One of the UN’s most effective programs!
Daniel Chimowitz Nevow
This year we are partnering with Nevow fashion design. Daniel Chimowitz, Nevow’s designer, designs Saturday evening the red carpet gown. Artist Chimowitz creates walking canvases of painted textiles and upcycled clothing. He is a mix medium artist, an American Fashion and Textile Designer. His intent is to bring art from Galleries and Museums to the street, as a form of Walking Art. Chimowitz is known for his painted prints and photography. This will be a perfect look for this fashion film festival.
4Chion Lifestyle will bring you the best from LJFFF, and IFFA. We give full coverage of the VIP moments and red carpet coverage. You can connect with 4Chion Lifestyle on Twitter, Facebook, Instagram, Google+, Pinterest, Tumblr, and Flickr for full coverage of the event. The official hashtag is #4ChionStyle we will also connect to #LJFFF.
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Sean Callery Emmy’s Creative Arts 2016 Photo Credit Raymond L Forchion Jr.
Sean Callery joins us on the red carpet at the Emmy® Creative Arts Awards. He composed himself to two Emmy® nominations for Outstanding Main Title Theme Music and Outstanding Music Composition For A Series Original Dramatic Score. This is his fifteenth and sixteenth Emmy® nomination.
Callery started his musical playing the piano. As he got older his mother began taking him to movies. This is when he realized how powerful music was to the storyline. He said, “Take Jaws, for example, that two bar section eludes fear even by mentioning the name Jaws. The two bars immediately play through your mind. Music is the oldest language and universal. It provides communication of sound. Music is power and energy, almost intoxicating.”
Composing Minority Report after John Williams’ composition for the film was a little intimidating. They wanted a new score and story with the new version. The focus was on new energy for the music. It was an honor to work with such a great team on series.
Working with Marvel’sJessica Jones was a wonderful opportunity. Marvel Comics is something Callery grew up with as a child. There were so many characters that interact and such richness in each story. Marvel brings a great place for everyone to feel inclusive.
Sean Callery receives his 4th Emmy® for Outstanding Main Title Theme Music for Marvel’sJessica Jones.
Okja, a film with a juxtaposition on genres, screens at Grand Théâtre Lumière at Cannes Film Festival. This film’s distribution and financing by Netflix. The film’s director, BONG Joon Ho and cast take on the controversy surrounding the new media at Cannes in stride. The film brings to the forefront the concept of capitalism and conservation of natural resources.
Tilda Swinton (Lucy Mirando) Seo-hyun An (Mija) Okja
The film synopsis: Mija, a young girl who risks everything to prevent a powerful, multi-national company from kidnapping her best friend, a mystical animal named Okja. The film takes on the concept of environment, consumerism, and childhood imagination.
Tilda Swinton, Oscar award-winning actress, plays Lucy Mirando CEO of the Mirando Corporation in the film. Mirando provides a sterile perfect image to the public, but brings the sense that there is more behind the scenes. The company developed the mystical creature. Swinton says, “The feeling of dedication and simplicity in living life that is what animals can teach us.” This film demonstrates the natural environment and capitalism struggle.
The film’s starting location creates an environment of its own. The serene mountains and childhood imagination brings a strong force of love, contrary to the conflict and suffering throughout the film.
Seo-Hyun Ahn, actress Mija, states, “I love animals too. Before shooting Okja I loved to eat meat, particularly pork. I have been greatly influenced by the character, Mija. I am sure I will not eat as much meat as before.” She is from South Korea and her career includes the film Monster.
Okja and Seo-Hyun Ahn (Mija) Photo Credit FDC Courtesy Cannes Film Festival
Jake Gyllenhaal is excited about this film’s message and ability to reach hundreds of thousands through the limited theatre screenings and streaming. He states, “Sometimes it’s not just an issue of aim, it’s also an issue of when a movie comes out and what it has to say, and I think there’s no better time than now for something like this.” Okja provides a message that can be communicated to audiences worldwide.
Seo-Hyun Ahn (Mija) Cannes FIlm Festival Photo Credit FDC Courtesy Cannes Film Festival
Okja brings to Cannes Film Festival the first Netflix film screening. The debate began early in the festival about the online streaming media. Pedro Almodovar, the president of the Palme d’Or jury, states at a press conference “the screen for films should not be smaller than the chair on which you’re sitting.”
Will Smith, Palme d’Or juror, discusses the ability of his young adult children to enjoy a movie in the theatre and on home screens. He brings forward the concept that many films are not viewed in the cinema theatre. These options allow his children to experience cinema films with the escape and grandeur intended while experiencing films they would otherwise never view.
Bong, at the film’s press conference, says, “loved working with the company, its willingness to authorize a higher budget and it was a wonderful experience.” There was a glitch for the first few minutes of the screening. He also explains that he was, “excited that the press could watch the opening film scene twice.”
Swinton, states. “It’s really important the president feels free to make any statement he or she wants … but if you want to know what I really think — there’s room for everybody,” She further explains that this debate brings forward the way we are entertained and what respect is brought to the art of film. The cast tells us who there Okja is in their life here. Who is your Okja?
See the film’s photo collection here https://4chionlifestyle.com/okja-netflix-film-photos/
